Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 7 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5  and Part 6 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Lee,  D.  Y.  (2004,  March).  A  typology  of  East  Asian  popular  culture  and  Korea’s nationalism.  The  paper  presented  in  the Asian  Culture  Symposium.  Seoul:  Korea. 

Lee, Hee-Eun. (2005). Othering ourselves: identity and globalization in Korean popular music, 1992-2002. Thesis, University of Iowa.

James, David E., Marsha Kinder, Stanley Rosen, Eunsun Cho. (2006). Transnational modernity, national identity, and South Korea melodrama (1945-1960s). Thesis, University of Southern California. Accessed 7 December 2016 from http://digitallibrary.usc.edu/assetserver/controller/item/etd-Cho-20061114.pdf 

HyeJung, J. (2007). The nature of nationalism in the “Korean Wave”: A framing analysis of news coverage about Korean pop culture. Presented at the 93^rd National Communication Association Conference. Accessed 7 December 2016 from http://citation.allacademic.com/meta/p_mla_apa_research_citation/1/8/7/9/2/pages187925/p187925-1.php

Siriyuvasak, Ubonrat & Hyunjoon Shin. (2007). Asianizing Kpop: production, consumption and identification patterns among Thai youth. Inter-Asia Cultural Studies, 8(1): 109-136 

Cayla, Julien and Giana M. Eckhardt. (2008). Asian brands and the shaping of a transnational imagined community. Journal of Consumer Research, 35 (2): 216 – 230. Accessed 7 December 2016 from http://www.juliencayla.com/JCR%20final.pdf

Sung, Sang Yeon. (2008). Globalization and the regional flow of popular music: the role of the Korean wave (Hanliu) in the construction of Taiwanese identities and Asian values. Thesis, Indiana University, Bloomington. 

Yang, Fang-chih Irene. (2008). Rap(p)ing Korean Wave: National identity in question. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 191- X. Aberdeen: Hong Kong University Press.

Blitz, Brian. (2009). Blood, birth, imagination: ethnic nationalism and South Korean popular culture. Thesis, Bowling Green State University. Accessed 7 December 2016 from https://etd.ohiolink.edu/rws_etd/document/get/bgsu1245256858/inline

Cho, Young Chul. (2009). Security, nationalism and popular culture: Screening South Korea’s uneasy identity in the early 2000s. East Asia, 26(3): 227-246.

Crieghton, Millie. (2009). Japanese surfing the Korean wave: Drama tourism, nationalism, and gender via ethnic eroticisms. Southeast Review of Asian Studies, 31: 10-38. Accessed 2 November 2011 from http://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/SERAS_2009.pdf#page=36 

Shin, Hyunjoon. (2009). Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for “Asia.” Korean Studies, 33(1): 101-123. 

Kim, Pil Ho and Hyunjoon Shim. (2010). The birth of “Rok”: Cultural imperialism, nationalism and the glocalization of rock music in South Korea, 1964-1975. East Asia Cultures Critique,18(1): 199-230. 

Cho, Younghan. (2011). Desperately seeking East Asia amidst the popularity of South Korean pop culture in Asia. Cultural Studies, 25(3): 383-404. doi: 10.1080/09502386.2010.545424 

Joo, Jeongsuk. (2011). Transnationalism of Korean popular culture and the rise of “pop nationalism” in Korea. The Journal of Popular Culture, 44(3): 489-504. 

Kim, Gwangseok. (2011). Practicing nationalism: culture, technology and national identity in contemporary Korea. Thesis, University of Texas at Austin. Accessed 22 November 2011 from http://repositories.lib.utexas.edu/bitstream/handle/2152/ETD-UT-2011-08-4267/KIM-THESIS.pdf?sequence=1

Kim, Youna. (2011). Diasporic nationalism and the media. International Journal of Cultural Studies, 14(2): 133-151.

Sutton, R. Anderson. (2011). “Fusion” and questions of Korean cultural identity in music. Korean Studies, 35: 4-24. 

Sung, Sang-Yeon Loise. (2012). The role of Hallyu in the construction of East Asian regional identity in Vienna. European Journal of East Asian Studies, 11(1): 155-171.

Ho, Swee-Lin. (2012). Fuel for South Korea’s “Global Dreams Factory”: The desires of parents whose children dream of becoming K-pop stars. Korea Observer, 43(3): 471-502.

Yoo, Jae-woong, Samsup Jo, and Jaemin Jung. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96. 

Han, Gil-soo. (2015). K-pop nationalism: Celebrities and acting blackface in the Korean media. Journal of Media & Cultural Studies, 29(1): 2-16.

Kim, Bongchul & Vasileva, Kristina. (2017). Popular culture as an important element in creating a national image of Korea. Advanced Science Letters, 23(10): 9866-9869.

Happy Reading!

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