Category: Hallyu Studies

Introducing the KPK ’16 Line!

volunteer-1550328_1280

Meet KPK’s newest Research Assistants!!!!

Annalyn Constantine is a junior at the University of San Francisco, majoring in International Studies (focusing on Peace and Conflict) and minoring in Asian Studies and Philosophy. All throughout my life I’ve been keenly interested in Asian pop culture and traditions, from anime to K-pop and Japanese and Korean dramas; and now more recently, Asian philosophy, political philosophy and racial formation. It’s both my guilty pleasure and passion but I want to blend those two together and examine my biases (and all that crazy fan/fandom logic from an academic lens…hence I’m here at KPK!) There’s so much to explore about Korea and K-pop and its connection with ethics politics, sociology, and race, just from the Hallyu wave that you’d be pretty surprised! My ultimate favorite group is BTS (Suga stan if you need to know) and I also love SHINee, Monsta X and Oh My Girl. I’m a cynical and sarcastic fan, but I hope you’ll find my edits and profiles interesting despite my weird taste in humor.

Ashley Lin studies Advertising & Asian Pacific American Studies at University of San Francisco.  She is interested in the role of branding for groups, specifically how essential it has become to build a strong marketable image that allows them to build connections with their fans. She discovered K-pop in 2008 and likes to reminisce about “the good ol’ days when this-or-that group were just rookies.” After a 3 year break, she realized that it was impossible to leave K-pop. Now she’s returned as a fully devoted Starlight, and spends her free time blogging and following her biases on SNS. Her current bias groups include VIXX(!!), Seventeen, B1A4, BTOB, and BTS.

Damon Young is a graduate student in Asia Pacific Studies at the University of San Francisco (USF), a TA for the Interdisciplinary Research Methods in Asia Pacific Studies course, and a Peer Mentor/Tutor for the MAPS program.  I am spending this summer as an intern working on the Camp Digital Archive Project for the National Japanese American Historical Society and as a Research Assistant at USF exploring assimilation theory and the Korean immigrant experience in the Tenderloin district of San Francisco.  My personal history with music from Korea began with waking up on the weekends to my parents playing songs by such artists as Yun Sooil, Cho Yongpil, or Lee Sunhee from our big home stereo system.  These days I’m either grooving to Zion.T or Crush or bouncing to Keith Ape and the whole Cohort gang.  But when I want to get down and get my “girl crush concept” on, I turn it up to Red Velvet (as I wait for Black Pink to debut!).

It’s a K-pop Thing(Link)….

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

You’ve finally convinced a friend/co-worker/parent/spouse/transit-seat partner/random stranger that your favorite group is worth taking a closer look at, and *gasp* they’ve asked a K-pop Fan Gateway Question (while feigning nonchalance): “which one is [member]”?

As a K-pop fan, you already know this game: such a question is already an indication that the questioner would like to know more…way more. But you don’t want to overwhelm them with information – rather, just give them a comprehensive overview of the group or member. You know…to “satisfy” (read: further ignite) their “casual” curiosity. To prepare for this moment – and help emerging K-pop fans everywhere – what can you do? Where can you send them?

Try ThingLink.

ThingLinklogo
Make K-pop artist overviews featuring websites, videos, and more using ThingLink.

ThingLink is a web and mobile application that allows its users to create interactive images and videos for use in social media, on websites, and more. Users can augment photos with links to websites, videos, audio, and more.   After images/videos are posted to ThingLink, community users can search for images and “Touch” (like) other interactive images and videos, too.

If you make ThingLinks for several groups from different entertainment companies, consider organizing them by Channels – a feature in ThingLink. You can also decide what you want everyone to see by choosing if your TLs will be public or private. One drawback: if you want browsing users to locate your work, you’ll need to make a title that has the search term(s) you think people will use since ThingLink doesn’t really make use of traditional hashtags as a finding aid.

ThingLink is free and also offers expanded options for different fees. It is available on Google Play and the App Store!

Here’s a ThingLink I made for …well, you know…(drag your mouse over the image to interact with it):

Enjoy!

P.S. Taemin is on second left. You know, in case you were wondering…casually.🙂

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

“I don’t know what they’re saying!”: Resolved with Flitto

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

OK, so you’re a Kpop fan who:

1. “Sings along” with Kpop songs (“sing along” = mostly hums, singing all of the English words and the occasional saranghae/su itge/mumcheo obso words or phrases that stand out…

2. Follows Kpop idols on social media even though you can barely read Hangul

3. Want to know what your Kpop idols are saying when they post to social media sites…

Well, KPK has discovered THE app/website for you:

Flitto!

Try Flitto to access translations of what your favorite Kpop artists are posting or saying on popular social media sites.
Try Flitto to access translations of what your favorite Kpop artists are posting on popular social media sites.

Flitto is a global language translation social media site. Users can join (for free!), pick their native language, and then follow people who post messages. Other users who can translate will transcribe any messages. And get this: sometimes the messages are not just in print! Super Junior-M’s Henry has posted recordings of his conversations with SHINee’s Taemin and EXO’s Xiumin. Below the recordings you’ll see the transcribed conversation in English (along with the Flitto user who transcribed the exchange).

Other Kpop Idols appearing on this awesome site include:

  • G-Dragon
  • Lee Minho
  • Kim Heechul
  • SHINee’s Onew, Jonghyun, and Key
  • Jay Park
  • Tablo

Is your idol there? Check out Flitto to finally understand all those messages they left for you!

Flitto is also available on Google Play and iTunes (cost: free!)

For Your Reading Pleasure: A Hallyu Bibliography, Part 5: GENDER and SEXUALITY

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 5 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3  and Part 4 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

GENDER and SEXUALITY

Cho, Eun Sun. (2005). The stray bullet and the crisis of Korean masculinity. In N. Abelmann and K. McHugh (Eds.), South Korean Golden Age Melodrama. pp.99-116. Detroit: Wayne State University Press.

Hilts, Janet Flora. (2006). Seo Taiji 1992-2004: South Korean popular music and masculinity. Thesis, York University.

Jung, Sun. (2006). Bae Yong-Joon, hybrid masculinity & the counter-coeval desire of Japanese female fans. Particip@tions 3(2). Accessed 22 August 2012 from http://www.participations.org/volume%203/issue%202%20-%20special/3_02_jung.htm

Lin, Angel and Avin Tong. (2007). Crossing boundaries: male consumption of Korean TV dramas and negotiation of gender relations in modern day Hong Kong. Journal of Gender Studies, 16(3): 217-232.

Murphree, Hyon Joo Yoo. (2008). Transnational cultural production and the politics of moribund masculinity. East Asia Cultures Critique, 16(3): 661-688.

Saeji, CedarBough T. (2009). Korean pop culture: The border crossing heroines of Hallyu. Presented as part of the University of California, Los Angeles’ International Institute program, “Chew on this: A series of artist, academic and choreographic presentations by world arts and cultures graduate students and faculty. Accessed 28 August 2012 from http://www.international.ucla.edu/calendar/showevent.asp?eventid=7381

Chang, Youngchi. (2009). Singles in Seoul: Korean femininity and western postfeminism in popular media. Thesis, University of Wisconsin-Milwaukee.

Crieghton, Millie. (2009). Japanese surfing the Korean wave: Drama tourism, nationalism, and gender via ethnic eroticisms. Southeast Review of Asian Studies, 31: 10-38. Accessed 2 November 2011 from http://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/SERAS_2009.pdf#page=36

Davies, Gloria, M.E. Davies and Young-A Cho. (2010). Hallyu ballyhoo and Harisu: Marketing and representing the transgendered in South Korea. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed 24 August 2012 from http://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter9.html

Jung, Eun-Young. (2010). Playing the race and sexuality cards in the transnational pop game: Korean music videos for the U.S. market. Journal of Popular music studies, 22(2): 219-236.

Jung, Sun. (2010). Chogukjeok Pan-East Asian soft masculinity: Reading Boys Over Flowers, Coffee Prince and Shinhwa fan fiction. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed 24 August 2012 from http://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter8.html

Maliangkay, Roald. (2010). The effeminacy of male beauty in Korea. The Newsletter, no.55 (Autumn/Winter): 6-7. Accessed 22 November 2011 from http://iias.asia/files/iias_nl55_0607.pdf

Chan, Brenda. (2011). Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas. International Journal of Cultural Studies, 14(3): 291-305.doi: 10.1177/1367877910391868

Kim, Joo Mee and Se Yeong Shin. (2011). The study on fashion, beauty, design and emotional image by external image type of Korean male idol stars. Fashion Business, 15(6):71-84. abstract here: http://www.papersearch.net/view/detail.asp?detail_key=1k901120

Kim, Yeran. (2011). Idol republic: the global emergence of girl industries and the commercialization of girl bodies. Journal of Gender Studies, 20(4): 333-345. DOI:10.1080/09589236.2011.617604

Kim, Jeongmee. (2012). My Lovely Sam-Soon: Absent sex and the unbearable lightness of sweet Korean romance. In J. Aston, B. Glynn and B. Johnson (Eds.) Television, Sex and Society: Analyzing Contemporary Representations. pp. 111 – 124. New York: Continuum International Publishing Group.

Lie, John. (2013). Why didn’t “Gangnam Style” go viral in Japan? Gender divide and subcultural heretogenity in contemporary Japan. Cross-Currents: East Asian  History and Culture Review, (9): 44-67. Accessed 16 June 2016 from https://cross-currents.berkeley.edu/e-journal/issue-9/lie 


Park, Michael K. (2015). Psy-Zing up the mainstream of “Gangnam Style”: Embracing Asian masculinity as neo-minstrelsy? Journal of Communication Inquiry, 39(3): 195-212.

Happy Reading!

KDK/Nunee (M.S.L.S.)

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

For Your Reading Pleasure: A Hallyu Bibliography, Part 3: CULTURE and CULTURAL INDUSTRY

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 3 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL +F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 and Part 2 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Culture

Iwabuchi, Koichi, Stephen Muecke, & Mandy Thomas. (2004). Rogue Flows: Trans-Asian Cultural Traffic. Hong Kong: Hong Kong University Press.

Kim, J.H. (2004). Korean wave in Japanese culture. Journal of Human Subjectivity, 4(1): 85-95. 

Park, Jung-sun. (2004). Korean American youth and transnational flows of popular culture across the Pacific. Amerasia Journal, 30(1): 147-169.

Fu Su Yin, Kelly, and Kai Khiun Liew. (2005).  “Hallyu in Singapore: Korean Cosmopolitanism or the Consumption of Chineseness?” Korean Journal 45.4: 206-32.

Iwabuchi, Koichi. (2005). Discrepant intimacy: Popular culture flows in East Asia. In J.N. Erni and S.K. Chua (Eds.) Asian Media Studies: Politics of Subjectivities. Hong Kong: Hong Kong University Press.

Jeon, G. and T. Yoon. (2005). Realizing the Korean wave into an Asiatic flow. Korean Journal of Broadcasting

Kwon, Haesoo and Chai Wonho. (2005). The diffusion of Korean Wave (Hallyu) as a cultural exchange. In 2005 Proceedings of the International Conference of Seoul Association for Public Administration (SAPA). pp. 1 -20.

Lee, Keehyeung. (2005). Assessing and Situating ‘the Korean Wave’ (Hallyu) through a Cultural Studies Lens. Asian Communication Research, 2(2): 5-22. Abstract assessed 2 November 2011. http://www.dbpia.co.kr/view/ar_view.asp?arid=1030476

Park, J.S. (2005). The Korean Wave: Transnational cultural flows in Northeast Asia. In C.K. Armstrong, G. Rozman, S.S. Kim & S. Kotkin (Eds.), Korea at the Center: Dynamics of Regionalism in Northeast Asia. London: M.E. Sharpe, Inc.

Lee, Heejae. (2005). The Korean wave on the viewpoint of Hwa-Yi (China-Barbarism). First International Conference of the Asian Philosophical Association. pp.117 – 124. Accessed 22 August 2012 from http://www.icapa2005.fatih.edu.tr/icapa2005.pdf#page=125

Lee, Jamie Shinhee. (2005). Discourses of fusion and crossing: Pop culture in Korea and Japan. Thesis, University of Illinois at Urbana-Champaign.

Kim, Shin Dong. (2006). Mass culture of/in Korea. Accessed 24 August 2012 from http://his.hallym.ac.kr/site/user_up/file/2006_s9.doc

 Seo, Yongseok. (2006). East Asian response to the globalization of culture: perceptional change and cultural policy. In J. Dator, Dick Pratt and Yongseok Soo (Eds.) Fairness, globalization and public institutions: East Asia and beyond. X: University of Hawai’i Press. pp. 319 – X. 

Kim, Eun Mee. (2007). South Korean culture goes global?: Kpop and the Korean wave. Presented at the University of California, Los Angeles International Institute. Accessed 28 August 2012 from http://www.international.ucla.edu/calendar/showevent.asp?eventid=6106

Kim, Eun Mee and Jiwon Ryoo. (2007). South Korean culture goes global: Kpop and the Korean wave. Korean Social Science Journal, 34(1): 117-152. Retrieved from http://kossrec.org/board/imgfile/KSSJ%20Vol.34.no.1(Eun%20Mee%20Kim%26Jiwon%20Ryoo)).pdf

Kim, Jeongmee. (2007). Why does hallyu matter? The significance of the Korean wave in South Korea. Critical Studies in television: scholarly studies in small screen fictions, 2(2): 47-59.

Xuenzhe, Liu. (2007). The rising Korean wave among Chinese youth. Accessed 23 November 2011 from http://fxqw820.tripod.com/AWS.pdf

Choi, Jaz Hee-jeong (2008). The New Korean Wave of U. In Anheier, Helmut K. & Isar, Yudhishthir Raj (Eds.) Cultures and Globalization : The cultural economy. Sage Publications, Thousand Oaks, CA

Ko, Y.J. (2008). Riding with the Korean wave: Reflections on trans-Asian cultural flows. Paper presented at the New Media and Global Diaspora Symposium. Accessed 28 March 2012 from http://reasonandrespect.rwu.edu/journal/index.php/2009/05/26/riding-with-the-korean-wave-reflections-on-trans-asian-cultural-flows/

Vuong, Phuong My. (2008). Korean wave: cultural influence upon China. Thesis, Concordia University Irvine.

Jung, Eun-Young. (2009). Transnational Korea: A critical assessment of the Korean wave in Asia and in the United States. Southeast Review of Asian Studies, 31: 69-80. Accessed 2 November 2011 fromhttp://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/06_Jung_2009.pdf 

Kim, Sujeong. (2009). Interpreting transnational cultural practices. Cultural Studies, 23(5/6): 736-755.

Lee, Jung-yup. (2009). Managing the transnational, governing the national: Cultural policy and the politics of “culture archetype” project in South Korea. Accessed 5 April 2012 from http://sonicscape.koreanpop.org/wp-content/uploads/2009/07/jylee-culture-archetype-20090704.pdf

Leung, L.Y. M. (2009). Daejanggeum as ‘affective mobilization’: Lessons for (transnational) popular culture and civil society. Inter-Asia Cultural Studies, 10(1): 51-66.

Ayhan, Kadir. (2010). The nexus between East Asian regionalization and popular culture: the case of the Korean wave. Seoul National University (thesis).Retrieved from http://library.snu.ac.kr/site/snu/viewer/SNUPDFViewer.jsp?cid=3387447&moi=1778232&file=2415694

Chua, Beng Huat. (2010). Korean pop culture. Malaysian Journal of Media Studies, 12(1): 15-24. Accessed 4 April 2012 from http://umepublication.um.edu.my/filebank/published_article/621/JPMM%202010_1%20Chua%20Beng%20Huat.pdf

Park, Sora. (2010). The impact of media use  and cultural exposure on the mutual perception of Koreans and Japanese. Asian Journal of Communication, 15(2): 173-187.

Bergen, Hannah N. (2011). Understanding Korean society through popular music. Situations, 5 (Winter): 82-90. Accessed 16 April 2012 from http://web.yonsei.ac.kr/bk21/2011%EB%85%84Situations%ED%8C%8C%EC%9D%BC/7_Hannah_Bergen_01[1].pdf

Lee, Dong-Yeon. (2011). “What Is Idol Pop?” In IDOL: From H.O.T. to SNSD, Idol Culture Report, edited by Lee Dong-Yeon, 14–48. Seoul: Imagine.

Ravikesh. (2011). A Cross-Cultural Perspective on Korean Wave (Hallyu) in South Asia. Presented at the The 3rd International Conference on Language and Communication, Bangkok Thailand.

Ramesh, Bharadwaj. A Hallyu Story: Behind the origins and success of the Korean wave in China & the future of content in a broadband world.  Accessed 17 June 2016 from http://bit.ly/23ggIuk

Katsiaficus, George. Asia and South Korean social movements. Accessed 4 April 2012 from http://tainguyenso.vnu.edu.vn/jspui/bitstream/123456789/7550/1/Hoi%20thao%20Han%20quocTB3-03.pdf

Yasumoto, Seiko. (n.d.) Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from http://rp-www.arts.usyd.edu.au/korean/downloads/KSAA2009/Global_Korea_Proceedings_311-321_Yasumoto.pdf

Ju, Hyejung & Soobum Lee. (2015). The Korean wave and Asian Americans: the ethnic meanings of transnational Korean pop culture in the USA. Journal of Media & Cultural Studies, 29(3): 323-338.

Cultural Industry

Otmazgin, Nissim Kadosh. (2005). Cultural commodities and regionalization in East Asia. Contemporary Southeast Asia, 3: 499-523.

Park, J. B. (2005). Expanding and sustaining ‘Korean Wave’: by the way of developing killer contents. Korean Wave 2005! – Opportunities and Challenges, Seoul, Korea, Korean Wave Promotions & Policies Foundation.

Kim, Youna. (2006). ‘Rising East Asia ‘Wave’: Korean media go global’, in  Thussu,  Daya  (ed.).  Media  on  the  Move:  Global  Flow  and  Contra  Flow, London: Routledge, pp. 135-152.  

Shin, Seung-il. (2006). Opening the second stage of Hallyu. Korea Focus, 14(2):65-66.

Arcodia, C., X Zhiang, D. Sohn & T. Lee. (2008). The sustainable development of the Korean cultural entertainment industry with the Korean wave (Hallyu). Sun Yat-Sen University. (more information: http://espace.library.uq.edu.au/view/UQ:160019)

Park, Kang Ah. (2008). The growth of the cultural industry and the role of government: the case of Korea. Thesis, Massachusetts Institute of Technology. Accessed 2 November 2011 from http://dspace.mit.edu/handle/1721.1/45761

Shim, Doobo. (2008). The growth of Korean cultural industries and the Korean wave. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 15 – 32. Aberdeen: Hong Kong University Press.

Kim, Milim. (2011).The role of the government in cultural industry: Some observations from Korea’s experience. Keio Communication Review, 33: 163- 182. Accessed 4 April 2012 from http://www.mediacom.keio.ac.jp/publication/pdf2011/10KIM.pdf

Otmazgin, Nissim. (2011). A tail that wags the dog? Cultural industry and cultural policy in Japan and South Korea. Journal of Comparative Policy Analysis: Research and Practice, 13(3): 307-325. doi: 10.1080/13876988.2011.565916

Seabrook, John. (2012). Factory girls. New Yorker, 88(31): 88-97.

Kim, Jeong Gon and Se Young Ahn. (n.d.).  Patterns and impacts of Korea’s cultural exports: Focused on East Asia. Accessed 22 August 2012 from
*http://home.sogang.ac.kr/sites/iias/iias04/Lists/b6/Attachments/52/6.%20Patterns_and_Impacts_of_Korea%20(Se%20Young%20Ahn_Jeong%20Gon%20Kim).docx

Yasumoto, Seiko.( n.d.). Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from http://rp-www.arts.usyd.edu.au/korean/downloads/KSAA2009/Global_Korea_Proceedings_311-321_Yasumoto.pdf

Jang, Wonho & Youngsun Kim. (2013). Envisaging the sociocultural dynamics of K-pop: Time/space hybridity, Red Queen’s race, and cosmopolitan striving. Korea Journal, 53(4): 83-106.

Dal, Yong Jin. (2014). The power of the nation-state amid Net-liberal reform: Shifting cultural policies in the new Korean wave. Pacific Affairs, 87(1): 71-92.

Kim, Yeojin. (2014). A possibility of the Korean wave Renaissance construction through K-pop: Sustainable development of the Korean wave as a cultural industry. Hastings Communications & Entertainment Law Journal, 36(1): 59-88.

Kwon, Seung-ho & Joseph Kim. (2014).  The cultural industry policies of the Korean government and the Korean wave. International Journal of Cultural Policy, 20(4): 422-439.

Baek, Young Min. (2016). Relationship between cultural distance and cross-cultural music video consumption on YouTube. Social Science Computer Review, 33(6): 730-748. 

Chen, Steven. (2016). Cultural technology. International Marketing Review, 33(1): 25-50.

 

Happy Reading!

KDK/Nunee (M.S.L.S.)

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

KPK Presents at KPOPCON13!

KPK: Kpop Kollective will once again bring the knowledge at KPOPCON’13 February 16-17 at UC Berkeley!

BEYOND THE BIAS: WHAT K-POP FANS REALLY THINK AND DO

Crystal S. Anderson, Ph.D., KPK: Kpop Kollective

Kaetrena Davis Kendrick, M.S.L.S., KPK: Kpop Kollective

Bianca Flowers, KPK: Kpop Kollective

Do you troll the Internet for pictures of your bias? Watch dance versions of videos on YouTube?  Share your opinions on a forum? Go to K-pop concerts?

This interactive session will uncover the complex world of K-pop fandom and give tips on how you can be a better fan!  We’ll talk about the different kinds of fans and ways they interact with and support each other and their favorite K-pop artists and groups. We will also share how you can enhance your own fan experience by learning how to protect your original fan production (like fan art and fancam video), organize and properly attribute your stash of pictures collected from around the web, and properly share images and video.

For Your Reading Pleasure: A Hallyu Bibliography Part 1: BOOKS

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Earlier this year I introduced KPK readers to the work I’m doing to collate and annotate as much scholarly information about Hallyu as I can. Without further ado, I share with you the first section, focusing on books covering Hallyu. Subsequent parts of this series will be identified by SUBJECT rather than format. Please note that these entries are listed by year, starting with 1991 (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL +F function).

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For Your Reading Pleasure: Introducing A Hallyu Bibliography

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Last month I shared why my background in Library and Information Science matches so well with the mission and work of KPK: Kpop Kollective.  One of the roles I play is information provider (billed “Research and Information Clearinghouse” on that fine chart from last month’s blog). More and more frequently, visitors to our site are government employees, graduate students, and university faculty members from all over the world who have a strong academic interest in Hallyu. Since July 2011, I have been collecting and organizing citations of conference presentations, scholarly articles, book chapters and books covering all aspects of Hallyu, including popular music, television, fans, and more.  In an upcoming series of posts, I’ll be sharing with you unannotated citations of items that I’ve discovered as I’ve mined information.

Venn diagrams of BOOLEAN Operator results. Created by Kaetrena Davis Kendrick, M.S.L.S. for KPK: Kpop Kollective.

(more…)