For Your Reading Pleasure: A Hallyu Bibliography, Part 3: CULTURE and CULTURAL INDUSTRY

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 3 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL +F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 and Part 2 of the bibliography.

Photo credit: Saveily Boboy, Unsplash.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.


Iwabuchi, Koichi, Stephen Muecke, & Mandy Thomas. (2004). Rogue Flows: Trans-Asian Cultural Traffic. Hong Kong: Hong Kong University Press.

Kim, J.H. (2004). Korean wave in Japanese culture. Journal of Human Subjectivity, 4(1): 85-95. 

Park, Jung-sun. (2004). Korean American youth and transnational flows of popular culture across the Pacific. Amerasia Journal, 30(1): 147-169.

Fu Su Yin, Kelly, and Kai Khiun Liew. (2005).  “Hallyu in Singapore: Korean Cosmopolitanism or the Consumption of Chineseness?” Korean Journal 45.4: 206-32.

Iwabuchi, Koichi. (2005). Discrepant intimacy: Popular culture flows in East Asia. In J.N. Erni and S.K. Chua (Eds.) Asian Media Studies: Politics of Subjectivities. Hong Kong: Hong Kong University Press.

Jeon, G. and T. Yoon. (2005). Realizing the Korean wave into an Asiatic flow. Korean Journal of Broadcasting

Kwon, Haesoo and Chai Wonho. (2005). The diffusion of Korean Wave (Hallyu) as a cultural exchange. In 2005 Proceedings of the International Conference of Seoul Association for Public Administration (SAPA). pp. 1 -20.

Lee, Keehyeung. (2005). Assessing and Situating ‘the Korean Wave’ (Hallyu) through a Cultural Studies Lens. Asian Communication Research, 2(2): 5-22. Abstract assessed 2 November 2011.

Park, J.S. (2005). The Korean Wave: Transnational cultural flows in Northeast Asia. In C.K. Armstrong, G. Rozman, S.S. Kim & S. Kotkin (Eds.), Korea at the Center: Dynamics of Regionalism in Northeast Asia. London: M.E. Sharpe, Inc.

Lee, Heejae. (2005). The Korean wave on the viewpoint of Hwa-Yi (China-Barbarism). First International Conference of the Asian Philosophical Association. pp.117 – 124. Accessed 22 August 2012 from

Lee, Jamie Shinhee. (2005). Discourses of fusion and crossing: Pop culture in Korea and Japan. Thesis, University of Illinois at Urbana-Champaign.

Kim, Shin Dong. (2006). Mass culture of/in Korea. Accessed 24 August 2012 from

 Seo, Yongseok. (2006). East Asian response to the globalization of culture: perceptional change and cultural policy. In J. Dator, Dick Pratt and Yongseok Soo (Eds.) Fairness, globalization and public institutions: East Asia and beyond. X: University of Hawai’i Press. pp. 319 – X. 

Kim, Eun Mee. (2007). South Korean culture goes global?: Kpop and the Korean wave. Presented at the University of California, Los Angeles International Institute. Accessed 28 August 2012 from

Kim, Eun Mee and Jiwon Ryoo. (2007). South Korean culture goes global: Kpop and the Korean wave. Korean Social Science Journal, 34(1): 117-152. Retrieved from

Kim, Jeongmee. (2007). Why does hallyu matter? The significance of the Korean wave in South Korea. Critical Studies in television: scholarly studies in small screen fictions, 2(2): 47-59.

Xuenzhe, Liu. (2007). The rising Korean wave among Chinese youth. Accessed 23 November 2011 from

Choi, Jaz Hee-jeong (2008). The New Korean Wave of U. In Anheier, Helmut K. & Isar, Yudhishthir Raj (Eds.) Cultures and Globalization : The cultural economy. Sage Publications, Thousand Oaks, CA

Ko, Y.J. (2008). Riding with the Korean wave: Reflections on trans-Asian cultural flows. Paper presented at the New Media and Global Diaspora Symposium. Accessed 28 March 2012 from

Vuong, Phuong My. (2008). Korean wave: cultural influence upon China. Thesis, Concordia University Irvine.

Jung, Eun-Young. (2009). Transnational Korea: A critical assessment of the Korean wave in Asia and in the United States. Southeast Review of Asian Studies, 31: 69-80. Accessed 2 November 2011 from 

Kim, Sujeong. (2009). Interpreting transnational cultural practices. Cultural Studies, 23(5/6): 736-755.

Lee, Jung-yup. (2009). Managing the transnational, governing the national: Cultural policy and the politics of “culture archetype” project in South Korea. Accessed 5 April 2012 from

Leung, L.Y. M. (2009). Daejanggeum as ‘affective mobilization’: Lessons for (transnational) popular culture and civil society. Inter-Asia Cultural Studies, 10(1): 51-66.

Ayhan, Kadir. (2010). The nexus between East Asian regionalization and popular culture: the case of the Korean wave. Seoul National University (thesis).Retrieved from

Chua, Beng Huat. (2010). Korean pop culture. Malaysian Journal of Media Studies, 12(1): 15-24. Accessed 4 April 2012 from

Park, Sora. (2010). The impact of media use  and cultural exposure on the mutual perception of Koreans and Japanese. Asian Journal of Communication, 15(2): 173-187.

Bergen, Hannah N. (2011). Understanding Korean society through popular music. Situations, 5 (Winter): 82-90. Accessed 16 April 2012 from[1].pdf

Lee, Dong-Yeon. (2011). “What Is Idol Pop?” In IDOL: From H.O.T. to SNSD, Idol Culture Report, edited by Lee Dong-Yeon, 14–48. Seoul: Imagine.

Ravikesh. (2011). A Cross-Cultural Perspective on Korean Wave (Hallyu) in South Asia. Presented at the The 3rd International Conference on Language and Communication, Bangkok Thailand.

Ramesh, Bharadwaj. A Hallyu Story: Behind the origins and success of the Korean wave in China & the future of content in a broadband world.  Accessed 17 June 2016 from

Katsiaficus, George. Asia and South Korean social movements. Accessed 4 April 2012 from

Yasumoto, Seiko. (n.d.) Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from

Ju, Hyejung & Soobum Lee. (2015). The Korean wave and Asian Americans: the ethnic meanings of transnational Korean pop culture in the USA. Journal of Media & Cultural Studies, 29(3): 323-338.

Cultural Industry

Otmazgin, Nissim Kadosh. (2005). Cultural commodities and regionalization in East Asia. Contemporary Southeast Asia, 3: 499-523.

Park, J. B. (2005). Expanding and sustaining ‘Korean Wave’: by the way of developing killer contents. Korean Wave 2005! – Opportunities and Challenges, Seoul, Korea, Korean Wave Promotions & Policies Foundation.

Kim, Youna. (2006). ‘Rising East Asia ‘Wave’: Korean media go global’, in  Thussu,  Daya  (ed.).  Media  on  the  Move:  Global  Flow  and  Contra  Flow, London: Routledge, pp. 135-152.  

Shin, Seung-il. (2006). Opening the second stage of Hallyu. Korea Focus, 14(2):65-66.

Arcodia, C., X Zhiang, D. Sohn & T. Lee. (2008). The sustainable development of the Korean cultural entertainment industry with the Korean wave (Hallyu). Sun Yat-Sen University. (more information:

Park, Kang Ah. (2008). The growth of the cultural industry and the role of government: the case of Korea. Thesis, Massachusetts Institute of Technology. Accessed 2 November 2011 from

Shim, Doobo. (2008). The growth of Korean cultural industries and the Korean wave. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 15 – 32. Aberdeen: Hong Kong University Press.

Kim, Milim. (2011).The role of the government in cultural industry: Some observations from Korea’s experience. Keio Communication Review, 33: 163- 182. Accessed 4 April 2012 from

Otmazgin, Nissim. (2011). A tail that wags the dog? Cultural industry and cultural policy in Japan and South Korea. Journal of Comparative Policy Analysis: Research and Practice, 13(3): 307-325. doi: 10.1080/13876988.2011.565916

Seabrook, John. (2012). Factory girls. New Yorker, 88(31): 88-97.

Kim, Jeong Gon and Se Young Ahn. (n.d.).  Patterns and impacts of Korea’s cultural exports: Focused on East Asia. Accessed 22 August 2012 from

Yasumoto, Seiko.( n.d.). Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from

Jang, Wonho & Youngsun Kim. (2013). Envisaging the sociocultural dynamics of K-pop: Time/space hybridity, Red Queen’s race, and cosmopolitan striving. Korea Journal, 53(4): 83-106.

Dal, Yong Jin. (2014). The power of the nation-state amid Net-liberal reform: Shifting cultural policies in the new Korean wave. Pacific Affairs, 87(1): 71-92.

Kim, Yeojin. (2014). A possibility of the Korean wave Renaissance construction through K-pop: Sustainable development of the Korean wave as a cultural industry. Hastings Communications & Entertainment Law Journal, 36(1): 59-88.

Kwon, Seung-ho & Joseph Kim. (2014).  The cultural industry policies of the Korean government and the Korean wave. International Journal of Cultural Policy, 20(4): 422-439.

Baek, Young Min. (2016). Relationship between cultural distance and cross-cultural music video consumption on YouTube. Social Science Computer Review, 33(6): 730-748. 

Chen, Steven. (2016). Cultural technology. International Marketing Review, 33(1): 25-50.

Happy Reading!

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