Welcome to Part 15 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu.
POLITICS and SOFT POWER
Kim, H. (2005). Korea’s soft power through Hallyu (Korean wave). thesis: Seoul National University.
Hayashi, Kaori and Eun-Jeung Lee. (2007). The potential of fandom and the limits of soft power: Media representations on the popularity of a Korean melodrama in Japan. Social Science Japan Journal, 10(2): 197-216. doi: 10.1093/ssjj/jym049 (see also, Fandom/Fan Activity)
Janelli, Roger and Dawnhee Yun. (2007). Soft power, Korea and the politics of culture. Institute of East Asia Studies, University of California, Berkeley.
Lee, Keehyeung. (2008(. Mapping out the cultural politics of the “Korean Wave” in contemporary South Korea. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 175 – 189. Aberdeen: Hong Kong University Press.
Nam, Siho. 2008. Media imperialism waned? The cultural politics of Korean Wave in East Asia.Global Communication and Social Change Division of International Association Conference. May. (see also, Korean Popular Culture in Asia)
Tsai, Eva. 2008. Existing in the Age of Innocence: Pop stars, publics and politics in Asia. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 217- X. Aberdeen: Hong Kong University Press.
Lee, Geun. 2009. A soft power approach to the Korean Wave. The Review of Korean Studies, 12 (2): 123-127.Lee, Sook-Jong. 2009. South Korea’s soft power diplomacy. EAI Issue Briefing no. 1
Park, So Young. 2010. Transnational Adoption, Hallyu, and the Politics of Korean Popular Culture. Biography, 33(1): 151-166.
Jang, Gunjoo & Won K. Paik. (2012). Korean wave as tool for Korea’s new cultural diplomacy. Advances in Applied Sociology, 2(3): 196-202. Accessed 16 June 2016 from http://file.scirp.org/Html/22229.html
Watson, Iain. 2012. South Korea’s State-led soft power strategies: Limits on Inter-Korean relations. Asian Journal of Political Science, 20(3):304-325.
Gan, Xi Ni. (2019). Soft power of Korean popular culture on consumer behavior in Malaysia. Thesis, UTAR. Retrieved from http://eprints.utar.edu.my/3479/
Welcome to Part 15 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu.
Fiske, J. (1992). The cultural economy of fandom. In A. Lewis (Ed.), The adoring audience: Fan culture and popular media (pp. 30-49). New York: Routledge.
Leonard, Sean. (2005). Progress against the Law: Anime and Fandom, and the Key to the Globalization of Culture. International Journal of Cultural Studies 8.3 (2005): 281-305.
Yuk Ming Lisa Leung. (2005). Virtualizing the ‘Korean Wave’: The Politics of (Transnational) Cyberfandom in 〈Daejangguem>. Asian Communication Research Volume 2 Number 2, 2005.9, page(s): 65-90. Abstract accessed 2 November 2011 http://www.dbpia.co.kr/view/ar_view.asp?arid=1030479&A=
Shim, Hyunjoo. (2005). Antifans and the internet: An ethnographic study of participatory drama fans in Korean websites. Thesis, Georgia State University.
Pease, Rowan. (2006). Internet, fandom and K-wave in China. In K. Howard (Ed.) Korean pop music: Riding the wave. Honolulu: University of Hawai’i Press.
Hayashi, Kaori and Eun-Jeung Lee. (2007). The potential of fandom and the limits of soft power: Media representations on the popularity of a Korean melodrama in Japan. Social Science Japan Journal, 10(2): 197-216. doi: 10.1093/ssjj/jym049 (see also, Politics and Soft Power)
Siriyuvasak, Ubonrat & Hyunjoon Shin. (2007). Asianizing Kpop: production, consumption and identification patterns among Thai youth. Inter-Asia Cultural Studies, 8(1): 109-136.
Lee, Soojin, David Scott and Hyounggon Kim. (2008). Celebrity fan involvement and destination perceptions. Annals of Tourism Research, 35(3): 809-832.
Mori, Yoshitaka. (2008). Winter Sonata and cultural practices of active fans in Japan: Considering middle-aged women as cultural agents. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 127-X. Aberdeen: Hong Kong University Press.
Iwabuchi, Koichi. (2010). Undoing inter-national fandom in the age of brand nationalism. Mechademia, 5:87-96.
Rembert-Lang, LaToya D. (2010-2011). Reinforcing the power of Babel: The impact of copyright law on fansubbing. Intellectual Property Brief, 2(2): 21-33.
Gatson, Sarah N. and Robin Anne Reid. (2012). Race and ethnicity in fandom. In R.A. Reid and S.N Gatson (Eds.) Race and Ethnicity in Fandom special issue, Transformative Works and Cultures, 8. Accessed 23 August 2012 from http://journal.transformativeworks.org/index.php/twc/article/view/392/252
Lee, Seung Ah. (2012). Of the fans, by the fans, for the fans: The republic of JYJ. Presented at the Nam Center for Korean Studies’ Hallyu 2.0: The Korean Wave in the Age of Social Media Symposium. Accessed 8 April 2020 from https://www.youtube.com/watch?v=BwBKXybAXJQ
Kim, Andrew Eungi, Fitria Mayasari, and Ingyu Oh. (2013). When tourist audiences encounter each other: Diverging learning behaviors of K-pop fans from Japan and Indonesia. Korea Journal, 53(4): 59-82.
Sung, Sang-Yeon. (2013). K-pop reception and participatory fan culture in Austria. Cross-Currents: East Asian History and Culture Review, (9): 90-104. Accessed 16 June 2016 from https://cross-currents.berkeley.edu/e-journal/issue-9/sung
Jung, Soo Keung. (2014). Global audience participation in the production and consumption of Gangnam Style. Thesis, Georgia State Unversity. Accessed 7 April 2020 from https://scholarworks.gsu.edu/communication_theses/106/
Jung, Sun & Doobo Shim. (2014). Social distribution: K-pop fan practices in Indonesia and the ‘Gangnam Style’ phenomenon. International Journal of Cultural Studies, 17(5): 485-501.
Nissim, Otmazgin & Irina Lyan. (2014). Hallyu across the desert: K-pop fandom in Israel and Palestine. Cross-Currents: East Asian History and Culture Review, 3(1): 32-55.
Oh, Ingyu & Chong-Mook Lee. (2014). A league of their own: Female supporters of hallyu and Korea-Japan relations. Pacific Focus, 29(2): 284-302.
Williams, J. Patrick & Samantha Xiang Xin Ho. (2016). “Sasaengpaen” or K-pop fan? Singapore youths, authentic identities, and Asian media fandom. Deviant Behavior, 37(1): 81-94.
Hubinette, Tobias. (2018). Who are the Swedish K-pop fans? Revisiting the reception and consumption of Hallyu in post-Gangnam Style Sweden with an emphasis on K-pop. Culture and Empathy, 1(1-4): 34-48. Accessed 7 April 2020 from http://www.tobiashubinette.se/korean_popculture_1.pdf
Sari, Dorottya. (2018). The rise of Hallyu in Hungary: An exploratory study about the motivation, behavior, and perception of Hungarian K-pop fans.
Swan, Anna Lee. (2018). Transnational identities and feeling in fandom: place and embodiment in K-pop fan reaction videos. Communication, Culture and Critique, 11(4): 548-565.
Sutton, R. Anderson. (2018). Tracking the Korean wave in transnational Asia: K-pop and K-pop fandom in Indonesia. Asian Musicology, 28: 9-39.
Abd-Rahim, Atiqah. (2019). Online fandom: Social identity and social hierarchy of hallyu fans. The Journal for Undergraduate Ethnography, 9(1). Accessed 7 April 2020 from https://ojs.library.dal.ca/JUE/article/view/8885
Capistrano, Erik, Paolo. (2019). Understanding Filipino Korean pop music fans. Asian Journal of Social Science, 47(1): 59-87.
Crow, Teahlyn Frances. (2019). K-pop, language, and online fandom: An exploration of Korean language use and performativity amongst international K-pop fans. Thesis, Northern Arizona University.
Cruz, Angela, Seo, Yuri, & Binay, Itir. (2019). Cultural globalization from the periphery: Translation practices of English-speaking K-pop fans. Journal of Consumer Culture, In press. (See Also, Language)
De Kosnik, A. & Carrington, A. (2019). Fans of color, fandoms of color. Transformative Works & Cultures, 29(1): 1.
Jansen, Kine Fjeld. (2019). Pop culturally motivated lexical borrowing: Use of Korean in an English-majority fan forum. Thesis, University of Bergen. Accessed 7 April 2020 from http://bora.uib.no/handle/1956/20363
Kang, Jiwon, Lee, Minsung, Park, Eunil et al. (2019). Alliance for my idol: Analyzing the K-pop fandom collaboration network. CHI EA ‘ 19: Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems. Pp. 1- 6.
Utami, Evi Farsiah. (2019). Social media, celebrity, and fans: A study of Indonesian K-pop fans. Thesis, Taylor’s University. (See Also, Internet and Social Media)
Welcome to Part 13 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu.
Jeong, SH. (2003). Strategy for increase of foreign tourists using the Korean wave in Jeju. Korean Journal of Tourism Management Research
Nakamura, Lisa. (2003). “Where do you want to go today?” Cybernetic tourism, the internet and transnationality. In G. Dines and J. M. Humez Gender, Race and Class in Media. Thousand Oaks: Sage Publications. pp. 684-687.
Ya, E.S. (2005). A continuous improvement of Hallyu tourism as a new cultural tourism. Journal of Korean Tourism Policy, 11(3): 57-77.
Kim, Sangkyun, Robinson, Mike, & Long, Philip. (2006). Understanding popular media production and potential tourist consumption: A methodological agenda. Accessed 8 April 2020 fromhttps://dspace2.flinders.edu.au/xmlui/handle/2328/26062
Seo, Jin Wook and Cai, Xuejing. (2006). A study on the factors of Korean TV Drama to stimulate Chinese tourist visiting in Korea. International Tourism Conference on International Tourism Conference 2006 Winter Conference, international tourism trends and prospects; Trends and Prospects of International Tourism Industry.
Chae, Yebyeong. (2007). A study plan to attract more foriegn visitors through analysis of Chinese tourists to Korea. Korea Tourism Research, 2(3): 77-92.
Chan, Brenda. (2007). Film-induced tourism in Asia: A case study of Korean television drama and female viewers’ motivation to visit Korea. Tourism Culture & Communication, 7(3): 207-224.
Kim, Samuel Seongseop, Argusa, Jerome, Lee, Heesung & Chon, Kaye Chon. (2007). Effects of Korean television dramas on the flow of Japanese tourists. Tourism Management, 28(5): 1340 -1353.
Han, Hee Joo & Lee, Jae-Sub. (2008). A Study on the KBS drama Winter Sonata and its impact on Korea’s Hallyu tourism development. Journal of Travel & Tourism Marketing, 24 (2/3): 115-126.
Hirata, Yukie. (2008). Touring ‘Dramatic Korea’: Japanese women as viewers of Hanryu dramas and tourists on Hanyru tours. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 143 – 156.. Aberdeen: Hong Kong University Press.(see also, Korean Drama Viewership and Habits)
Lee, Soojin, Scott, David Scott & Kim, Hyounggon. (2008). Celebrity fan involvement and destination perceptions. Annals of Tourism Research, 35(3): 809-832.
Lin, Y.S. & Huang, J.Y. (2008). Analyzing the use of TV miniseries for Korea tourism marketing. Journal of Travel & Tourism Marketing, 24(2/3): 223-227.
Kim, Hyun Jeong, Chen, Ming-Hsiang, & Su, Hung Jen. (2009).The impact of Korean TV dramas on Taiwanese tourism demand for Korea. Tourism Economics, 15(4): 867-873.
Kim, Sangkyun, Long, & Robinson, Mike. (2009). Small screen, big tourism: the role of popular Korean television dramas in South Korean Tourism. Tourism Geographies, 11(3): 308-333.
Ryan, Chris, Yanning, Zhang, Gu, Huimin & Song, Ling. (2009). Tourism, a classic novel, and television. Journal of Travel Research, 48(1): 14-28.
Kim, Samuel, Lee, Heesung Lee, & Chon, Kye-song. (2010). Segmentation of different types of Hallyu tourists using a multinational model and its marketing implications. Journal of Hospitality & Tourism Research, 34(3): 341-363.
Kim, Sangkyun. (2010). Extraordinary experience: Re-enacting and photographing at screen tourism locations. Tourism and Hospitality Planning & Development, 7(1): 59-75.
Lee, SoJung & Bai, Billy. (2010). A qualitative analysis of the impact of popular culture on destination image: A case study of Korean wave from Japanese fans. ScholarWorks@UMass Amherst. Accessed 22 November 2011 fromhttp://bit.ly/1tu46Dk
Oh, Yongsoo. (2010). The changes in the Korean wave and the creation of competitiveness of tourism of Korean wave. Korea Tourism Policy, 42 (Winter). Korea Culture and Policy Researcher.
Treesuwan, Aukjinda. (2010). Factors affecting demand for travel to Korea: a case study of Thai tourists to Korea. Thesis, Chulalongkorn University. Accessed 7 April 2020 fromhttp://cuir.car.chula.ac.th/handle/123456789/18028
Choi, Jeong Gil, Tkachenko, Tamara, & Sil, Shomir. (2011). On the destination image of Korea by Russian tourists. Tourism Management, 32: 193-194.
Kim, Sangkyun. (2011). A cross-cultural study of the on-site film-tourism experiences among Chinese, Japanese, Taiwanese and Thai visitors to the Daejanggeum theme park, South Korea. Current Issues in Tourism, 15(8): 759-776.
Kim, Sangkyun and O’Connor, Noëlle. (2011). A cross-cultural study of screen-tourists’ profiles. Worldwide Hospitality and Tourism Themes, 3(2):141 – 158.
Lee, SoJung. (2011). The impact of soap opera on destination image: A multivariate repeated measures analysis. ScholarWorks@UMassAmherst. Accessed 7 April 2020 fromhttps://bit.ly/2JMME7N
Kim, Sangkyun. (2012). Audience involvement and film tourism experiences: Emotional places, emotional experiences. Tourism Management, 33(2): 387-396.
Kim, Sangkyun. (2012). The relationships of on-site film-tourism experiences, satisfaction, and behavioral intentions: The case of Asian audience’s responses to a Korean historical TV drama. Journal of Travel & Tourism Marketing, 29(5): 472-484.
Kim, Sangkyun and Wang, Hua. (2012). From television to the film set:Korean drama Daejanggeum drives Chinese, Taiwanese, Japanese and Thai audiences to screen-tourism. International Communication Gazette, 74(5): 423-442.
Kim. Sangkyun and O’Connor, Noëlle. (2012). Film tourism locations and experiences: A popular Korean television drama production perspective. Tourism Review International, 15(3): 243-252.
Kim, Seongseop, Kim, Miju, Agrusa, Jerome,& Lee, Aejoo. (2012). Does a food-themed TV drama affect perceptions of national image and intention to visit a country? An empirical study of Korea TV drama. Journal of Travel & Tourism Marketing, 29(4): 313-326.
Kim, Andrew Eungi, Mayasari, Fitria Mayasari, & Oh, Ingyu. (2013). When tourist audiences encounter each other: Diverging learning behaviors of K-pop fans from Japan and Indonesia. Korea Journal, 53(4): 59-82.
Kim, Samuel Seongseop, Agrusa, Jerome, & Chon, Kaye. (2014). The influence of a TV Drama on visitors’ perception: A cross-cultural study. Journal of Travel & Tourism Marketing, 31(4): 536-562.
Rajaguru, Rajesh. (2014). Motion picture-induced visual, vocal and celebrity effects on tourism motivation: Stimulus organism response model. Asia Pacific Journal of Tourism Research, 19(4): 375-388.
Yoo, Jae-woong, Samsup Jo, and Jung, Jaemin. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96.
Lee, Won-jun. (2015). The effects of the Korean wave (Hallyu) star and receiver characteristics on T.V. drama satisfaction and intention to revisit. International Journal of u- and e- Service, Science and Technology, 8(11): 347-356. Accessed 8 April 2020 fromhttps://pdfs.semanticscholar.org/fde6/38cd0637372022087a7d55ad7942b95f78cb.pdf
Kim, Sangkyun & Nam, Chanwoo. (2016). Hallyu revisited: Challenges and opportunities for the South Korea tourism. Asia Pacific Journal of Tourism Research, 21(5): 524-540.
Mah, Han Poh. (2016). Influences of Korean wave on the intention of visiting Korea in Generation Y Malaysia. Thesis, INTI International University. Accessed 7 April 2020 fromhttp://eprints.intimal.edu.my/914/
Yen, Chang-Hua & Croy, W. Glen. (2016). Film tourism: celebrity involvement, celebrity worship and destination image. Current Issues in Tourism, 19(10): 1027-1044.
Bae, Eun-song, Chang, Meehyang, Park, Eung-Suk, & Kim, Dae-cheol. (2017). The effect of Hallyu on tourism in Korea. Journal of Open Innovation: Technology, Market, and Complexity, 3(4). Accessed 8 April 2020 fromhttps://www.mdpi.com/2199-8531/3/4/22
Choi, H.S. Chris. (2017). Understanding the consumption experience of Chinese tourists: Assessing the effect of audience involvement, flow, and delight on electronic word-of-mouth. Thesis, University of Guelph. Accessed 8 April 2020 fromhttps://atrium.lib.uoguelph.ca/xmlui/handle/10214/10252
Botovalkina, A.V., Levina, V.S., & Kudinova, K.M. (2018). Economics of cultural tourism: The case of the Korean wave. In Gaol, Filimonova, and Maslennikov (Eds). Financial and Economic Tools Used in the World Hospitality Industry (pp. 203 – 207). London: Taylor & Francis Group.
Kim, Seongsap & Kim, Sangkyun. (2018). Perceived values of TV drama, audience involvement, and behavioral intention in film tourism. Journal of Travel & Tourism Marketing, 35(3): 259-272.
Hasegawa, Eiko. (n.d.). Re-orienting tourism: Japanese tourism in Korea and Asian cultural integration.
Welcome to Part 10 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
King Sejong the Great (세종대왕). Photo credit: hgyjhj486, Pixabay.
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Lee, Jamie Shinhee. (2004). Linguistic hybridization in K-pop: discourse of self-assertion and resistance. World Englishes, 23(3): 429-450. doi: 10.1111/j.0883-2919.2004.00367.x
Lee, Jamie Shinhee. (2006). Linguistic Hybridization in K-pop, In Kingsley Bolton and Braj B. Kachru (eds.), Critical Concepts in Linguistics: World Englishes. Pp.299-326. London & New York: Routledge. 6 volume set. vol. 4.
You, Byeong Keun. (2005). Children negotiating Korean American ethnic identity through their heritage language. Bilingual Research Journal, 29(3): 711-721. doi: 10.1080/15235882.2005.10162860
Lee, Jamie Shinhee. (2007). “Im the illest fucka”: An Analysis of African American English in South Korean Hip Hop. English Today:The International Review of the English Language23(2): 54-60.
Lee, Jamie Shinhee. (2007). Language and Identity: Entertainers in South Korean Pop Culture, In Miguel Mantero (ed.), Identity and Second Language Learning. pp. 283-303. Charlotte, NC: Information Age Publishing.
Park, Joseph Sung Yul. (2009). Regimenting languages on Korean television: subtitles and institutional authority. Text & Talk, 29(5): 547-570.
Hu, Brian. (2010). Korean TV Serials in the English-Language Diaspora: Translating Difference Online and Making It Racial. The Velvet Light Trap, 66 (Fall): 36 -49.
Lee, Jamie Shinhee. (2010). Glocalizing Keepin’ it real: South Korean hip hop playas. In M. Terkourafi (Ed.) Languages of Global Hip-Hop. London: Continuum International Publishing Group. pp. 139 – 161.
Rembert-Lang, LaToya D. (2010-2011). Reinforcing the power of Babel: The impact of copyright law on fansubbing. Intellectual Property Brief, 2(2): 21-33.
Lee, J.S. (2011). Globalization of African American vernacular English in popular culture Blinglish in Korean hip hop. English World-Wide, 32(1): 1-23.
Touhami, Batoul & Al-Abed Al Haq, Fawwaz. (2017). The influence of the Korean wave on the language of international fans: Case study of Algerian fans. Sino-US English Teaching, 14(10): 598-626.
Jin, Dal Yong & Woongjae Ryoo. (2014). Critical interpretation of hybrid K-pop: The global-local paradigm of English-mixing in lyrics. Popular Music & Society, 37(2): 113-131.
Kim, Grace MyHyun. (2016). Practicing multilingual identities: Online interactions in a Korean dramas forum. International Multilingual Research Journal, 10(4): 254-272. (See Also, Internet and Social Media)
Chun, Elaine W. (2017). How to drop a name: Hybridity, purity, and the K-pop fan. Language in Society, 46(1): 57-76.
Aiyah, Aznur. (2017). Korean-English language translational action of K-pop social media content: A case study on Bangtan Sonyeodan’s (BTS) Official Twitter. 3L: Language, Lingugstics, Literature, 23(3). Accessed 7 April 2020 fromhttp://ejournal.ukm.my/3l/article/view/20452
Touhami, Batoul & Al-Abed Al Haq, Fawwaz. (2017). The influence of the Korean wave on the language of international fans: Case study of Algerian fans. Sino-US English Teaching, 14(10): 598-626.
Crow, Teahlyn Frances. (2019). K-pop, language, and online fandom: An exploration of Korean language use and performativity amongst international K-pop fans. Thesis, Northern Arizona University.
Cruz, Angela, Seo, Yuri, & Binay, Itir. (2019). Cultural globalization from the periphery: Translation practices of English-speaking K-pop fans. Journal of Consumer Culture, In press.
Jansen, Kine Fjeld. (2019). Pop culturally motivated lexical borrowing: Use of Korean in an English-majority fan forum. Thesis, University of Bergen. Accessed 8 April 2020 fromhttp://bora.uib.no/handle/1956/20363
Welcome to Part 11 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
The promotional poster for the Korean television drama, “Winter Sonata.” Photo credit: KBS.
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Kaori, H. (2005). Assessing the popularity of Winter Sonata. How do women’s emotions affect the public sphere in Japan. Media Consumption and the Korean Wave in East Asia
Lee, Sue Kyung. (2005). The Korean wave in Japan: Winter sonata and its implications through audience perceptions. Thesis, University of Texas, Austin.
Kim, D. (2006). Transcending Borders: Korean Soap Opera, Winter Sonata, Effects on Japanese Middle-Aged Women. Paper presented to the 56th annual convention of the International Communication Association, Dresden, Germany, June.
Han, Hee Joo & Jae-Sub Lee. (2008). A Study on the KBS drama Winter Sonata and its impact on Korea’s Hallyu tourism development. Journal of Travel & Tourism Marketing, 24 (2/3): 115-126.
Kim, Samuel Seongseop, Jerome Agrusa and Kaye Chon. (2008). The effects of Korean pop culture on Hong Kong residents’ perceptions of Korea as a potential tourist destination. Journal of Travel & Tourism, 24(2/3): 163-183.
Mori, Yoshitaka. (2008). Winter Sonata and cultural practices of active fans in Japan: Considering middle-aged women as cultural agents. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 127-X. Aberdeen: Hong Kong University Press.
Welcome to Part 9 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Chung, Heejoon. (2003). Sport star vs. Rock star in globalizing popular culture: Similarities, differences and paradoxes in discussion of celebrities. International review for the Sociology of Sport, 38(1): 99-108.
Park. G. (2004). An analysis of the effects of Hanlyu reflected in street fashion in China. Korean Journal of Human Ecology, 13(6): 967-983.
Rhee, Seung Chul. (2006). The average Korean attractive face. Aesthetic Plastic Surgery, 30(6): 729-730. doi: 10.1007/s00266-006-0157-x
Tsai, Eva. (2007). Caught in the terrains: an inter-referential inquiry of trans-border stardom and fandom. Inter-Asia Cultural Studies, 8(1): 135-154. ALSO PRINTED in: Tsai, Eva. 2007. Caught in the terrains: an inter-referential inquiry of trans-border stardom and fandom. In K-H Chen and C.B. Huat (Eds.) The Inter-Asia Cultural Studies Reader. pp.323-344. Abingdon: Routledge.
Rhee, Seung Chul, Eun Sang Dhong and Eul Sik Yoon. (2009). Photogrammatic facial analysis of attractive Korean entertainers. Aesthetic Plastic Surgery, 33(2): 167-174.
Lee Soojin. (2010). Celebrity fandom and its relationship to tourism and leisure behaviors: the case of the Korean wave. Thesis, Texas A&M University.
Kim, Joo Mee and Se Yeong Shin. (2011). The study on fashion, beauty, design and emotional image by external image type of Korean male idol stars. Fashion Business, 15(6):71-84.
Kim, Yeran. (2011). Idol republic: the global emergence of girl industries and the commercialization of girl bodies. Journal of Gender Studies, 20(4): 333-345.
Sung, Sang-Yeon Loise. (2012). The role of Hallyu in the construction of East Asian regional identity in Vienna. European Journal of East Asian Studies. 11(1): 155-171.
Jamass, Maria M. (2014). Images and perceptions of Muslims and Arabs in Korean popular culture and society. Thesis, Florida International University. Accessed 7 April 2020 fromhttps://digitalcommons.fiu.edu/etd/1204/
Unger. Michael A. (2015). The aphoria of presentation: Deconstructing the genre of K-pop girl group music videos in South Korea. Journal of Popular Music Studies, 27(1): 25-47.
Kim, Suk Young. (2016). The many faces of K-pop music videos: Revues, Motown, and Broadway in ‘Twinkle.’ Journal of Popular Culture, 49(1): 136-154.
Rocha, Nayelli Lopez. (2016). The role of Hallyu as pop culture in the creation and dissemination of the contemporary Korean woman’s image. Portes: Revista Mexicana de estudios sobre la Cuenca del Pacifico, 9(18): 171-195. Accessed 16 June 2016 from http://revistasacademicas.ucol.mx/index.php/portes/article/view/412
Welcome to Part 8 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Lee Minu and Chong Heup Cho. (1990/2003). Women watching together: An ethnographic study of Korean soap opera fans in the United States. In Gail Dines and Jean M. Humez (eds.) Gender, race and class in media. Thousand Oaks: Sage Publications.
Kim, Youna. (2002). Women, television and everyday life: Korean women’s reflexive experience of television mediated by generation and class. Thesis, University of London.
Park, Jung-sun. (2004). Korean American Youths’ Consumption of Korean and Japanese TV Dramas and Its Implications. In Koichi Iwabuchi (Ed.) Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas. Pp. 275-300. Hong Kong: Hong Kong University Press.
Park, Sora. (2004). China’s Consumption of Korean Television Dramas: An Empirical Test of the “Cultural Discount” Concept’, Korea Journal 44: 265–90.
Han, Kyung-Koo. (2006). From housewives to butterflies: Hallyu and the fantastic journey to Korea. Korea Journal, 46(2): 269-274.
Kwon, Dong Hwan. (2006). Is it too early to talk about “Hallyu” in the Phillipines? Koreanovela and its reception among Filipino audience. Cultural Space and Public Sphere in Asia.
Shim D. (2006). Korean women television viewers in Singapore. Cultural Space and Public Sphere in Asia.
Kim, Dae Do and Su Na Mi. (2007). Consuming Korean TV Dramas in China: Analysis of a new cultural flow, “Hanryu”, in the Asian context. pp. 233-261.
Lin, Angel and Avin Tong. (2007). Crossing boundaries: male consumption of Korean TV dramas and negotiation of gender relations in modern day Hong Kong. Journal of Gender Studies, 16(3): 217-232.
Shim, D. (2007). Korean wave and Korean women television viewers in Singapore. Asian Journal of Women’s Studies, 13(2): 63-82.
Hirata, Yukie. (2008). Touring ‘Dramatic Korea’: Japanese women as viewers of Hanryu dramas and tourists on Hanyru tours. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 143 – 156.. Aberdeen: Hong Kong University Press. (see also, Tourism)
Lee, Soobum and Hyejung Ju. (2010). Korean television dramas in Japan: Imagining “East Asianness” and consuming “nostalgia.” Asian Women, 26(2): 77-105.
Chan, Brenda. (2011). Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas. International Journal of Cultural Studies, 14(3): 291-305.doi: 10.1177/1367877910391868
Hung Jen Su, Yu-An Huang, Glen Brodowsky & Hyun Jeong Kim. (2011.) The impact of product placement on TV-induced tourism: Korean TV dramas and Taiwanese viewers. Tourism Management, 32(4): 805-814.
Lee, Sangjoon. (2012). From diaspora to Drama Fever: Consuming Korean dramas in North America. Presented at the Nam Center for Korean Studies’ Hallyu 2.0: The Korean Wave in the Age of Social Media Symposium. (Watch video of this presentation)
Chuang, Lisa M. & Hye Eun Lee. (2013). Korean wave: enjoyment factors of Korean dramas in the U.S. International Journal of Intercultural Relations, 37(5): 594-604.
Kuotsu, Neikolie. (2013). Architectures of pirate film cultures: encounters with the Korean wave in “Northeast” India. Inter-Asia Cultural Studies, 14(4): 579-599.
Yoo, Jae-woong, Samsup Jo, and Jaemin Jung. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96.
Ade Muana Husniati, Maryam. (2016). Adolescents, Korean dramas, and local wisdom. Proceeding of the 3rd Conference on Communication, Culture, and Media Studies. Accessed 7 April 2020 fromhttps://journal.uii.ac.id/CCCMS/article/view/7144/6346
Ruslan, Norbaiduri & Latif, Siti Sakinah Abdul. (2016). Malay women readings of Korean drama. Journal of Education and Social Sciences, 4(June): 343-365.
Welcome to Part 7 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
The flag of the Republic of Korea. Photo credit: Lisy, Pixabay.
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Lee, D. Y. (2004, March). A typology of East Asian popular culture and Korea’s nationalism. The paper presented in the Asian Culture Symposium. Seoul: Korea.
Lee, Hee-Eun. (2005). Othering ourselves: identity and globalization in Korean popular music, 1992-2002. Thesis, University of Iowa.
Siriyuvasak, Ubonrat & Hyunjoon Shin. (2007). Asianizing Kpop: production, consumption and identification patterns among Thai youth. Inter-Asia Cultural Studies, 8(1): 109-136
Cayla, Julien and Giana M. Eckhardt. (2008). Asian brands and the shaping of a transnational imagined community. Journal of Consumer Research, 35 (2): 216 – 230. Accessed 7 December 2016 from http://www.juliencayla.com/JCR%20final.pdf
Sung, Sang Yeon. (2008). Globalization and the regional flow of popular music: the role of the Korean wave (Hanliu) in the construction of Taiwanese identities and Asian values. Thesis, Indiana University, Bloomington.
Yang, Fang-chih Irene. (2008). Rap(p)ing Korean Wave: National identity in question. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 191- X. Aberdeen: Hong Kong University Press.
Cho, Young Chul. (2009). Security, nationalism and popular culture: Screening South Korea’s uneasy identity in the early 2000s. East Asia, 26(3): 227-246.
Shin, Hyunjoon. (2009). Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for “Asia.” Korean Studies, 33(1): 101-123.
Kim, Pil Ho and Hyunjoon Shim. (2010). The birth of “Rok”: Cultural imperialism, nationalism and the glocalization of rock music in South Korea, 1964-1975. East Asia Cultures Critique,18(1): 199-230.
Cho, Younghan. (2011). Desperately seeking East Asia amidst the popularity of South Korean pop culture in Asia. Cultural Studies, 25(3): 383-404. doi: 10.1080/09502386.2010.545424
Joo, Jeongsuk. (2011). Transnationalism of Korean popular culture and the rise of “pop nationalism” in Korea. The Journal of Popular Culture, 44(3): 489-504.
Kim, Youna. (2011). Diasporic nationalism and the media. International Journal of Cultural Studies, 14(2): 133-151.
Sutton, R. Anderson. (2011). “Fusion” and questions of Korean cultural identity in music. Korean Studies, 35: 4-24.
Sung, Sang-Yeon Loise. (2012). The role of Hallyu in the construction of East Asian regional identity in Vienna. European Journal of East Asian Studies, 11(1): 155-171.
Ho, Swee-Lin. (2012). Fuel for South Korea’s “Global Dreams Factory”: The desires of parents whose children dream of becoming K-pop stars. Korea Observer, 43(3): 471-502.
Yoo, Jae-woong, Samsup Jo, and Jaemin Jung. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96.
Han, Gil-soo. (2015). K-pop nationalism: Celebrities and acting blackface in the Korean media. Journal of Media & Cultural Studies, 29(1): 2-16.
Kim, Bongchul & Vasileva, Kristina. (2017). Popular culture as an important element in creating a national image of Korea. Advanced Science Letters, 23(10): 9866-9869.
Welcome to Part 6 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly atkaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
Nakamura, Lisa. (2003). “Where do you want to go today?” Cybernetic tourism, the internet and transnationality. In G. Dines and J. M. Humez Gender, Race and Class in Media. (pp.684-687).Thousand Oaks: Sage Publications.
Choi, Jaz Hee-jeong. (2006). Living in Cyworld: Contextualising Cy-Ties in South Korea. In Bruns, Axel & Jacobs, Joanne (Eds.) Uses of Blogs. (pp. 173-186). New York: Peter Lang.
Ramesh, Bharadwaj. (2006). A Hallyu Story: Behind the origins and success of the Korean wave in China & the future of content in a broadband world. Accessed 17 June 2016 fromhttp://bit.ly/23ggIuk
Kang, Seungmook & Hadong Kim. (2009). Korean traditional space creator for digital contents. The International Journal of Virtual Reality, 8(3): 33-37. Accessed 22 August 2012 from http://www.ijvr.org/issues/issue3-2009/6.pdf
Kim, Kyung Hee, Yun Haejin & Youngmin Yoon. (2009). The internet as a facilitator of cultural hybridization and interpersonal relationship management for Asian international students in South Korea. Asian Journal of Communication, 19(2): 152-169. Retrieved 16 June 2016 fromhttp://bit.ly/1rstmZd
Cha, Hyunhee & Seongmook Kim. (2011). A case study on Korean wave: Focused on K-pop concert by Korean idol groups in Paris, June 2011. In T. Kim et. Al (Eds.) Multimedia, Computer Graphics, and Broadcasting. (pp. 153-162). Heidelberg: Springer.
Lee, Moonhaeng. (2012). Star management of talent agencies and social media in Korea. In M. Friedrichsen and W. Muhl-Benninghaus (Eds.) Handbook of Social Media Management. (pp.549-564) New York: Springer.
Oh, Ingyu & Gil-Sung Park. (2012). From B2C to B2B: Selling Korean pop music in the age of social media. Korea Observer, 43(3): 365-397.
Ahn, JoongHo, Sehwan Oh & Hyunjung Kim. (2013). Korean pop takes off! Social media strategy of Korean entertainment industry. 10th International Conference on Service Systems and Service Management. IEEE. Pp. 774-777. Doi10.1109/ICSSSM.2013.6602528
Oh, Chong-jin & Young-gil Chae. (2013). Constructing culturally proximate spaces through social network services: The case of Hallyu (Korean Wave) in Turkey. International Relations / Uluslararasi Iliskiler, 10(38): 77-99.
Jin, Dal Yong & Kyong Yoon. (2014). The social mediascape of transnational Korean pop culture: Hallyu 2.0 as spreadable media practice. New Media & Society. Doi: 10.1177/1461444814554895.
Kim, Minjeong, Yun-Cheol Heo, Seong-Cheol Choi & Han Woo Park. (2014). Comparative trends in global communication networks of #Kpop tweets. Quantity & Quality, 48(5): 2687-2702. Doi 10.1007/s11135-013-9918-1.
Kim, Yong Hwan, Dahee Lee, Nam Gi Hong & Min Song. (2014). Exploring characteristics of video consuming behavior in different social media using K-pop videos. Journal of Information Science, 40(6): 806-822.
Kim, Yonghwan, Dahee Lee, Jung Eun Hahm, Namgi Han & Min Song. (2014). Investigating socio-cultural behavior of users reflected in different social channels on K-pop. Proceedings of the 23rd International Conference on World Wide Web. (pp. 325-326). Accessed 17 June 2016 fromhttp://dl.acm.org/citation.cfm?id=2577324 Doi10.1145/2567948.2577324
Seong, Cheol Choi, Xanat Vargas Meza & Han Woo Park. (2014). South Korean culture goes Latin America: Social network analysis of Kpop tweets in Mexico. International Journal of Contents, 10(1): 36-42.
Sung, Jun. (2014). Youth, social media and transnational cultural distribution: The case of online K-pop circulation. In A. Bennett and B. Robards (Eds.) Mediated Youth Cultures. (pp. 114-129). New York: Springer.
Song, Min, Yoo Kyung Jeong & Ha Jin Kim. (2015). Identifying the topology of the K-pop video community on YouTube: A combined co-comment analysis approach. Journal of the Association for Information Science & Technology, 66(12): 2580-2595.
Xu, Weiai Wayne, Ji Young Park & Han Woo Park. (2015). The networked cultural diffusion of Korean wave. Online Information Review, 39(1): 43-60.
Baek, Young Min. (2016). Relationship between cultural distance and cross-cultural music video consumption on YouTube. Social Science Computer Review, 33(6): 730-748.
Kim, Grace MyHyun. (2016). Practicing multilingual identities: Online interactions in a Korean dramas forum. International Multilingual Research Journal, 10(4): 254-272.
Yecies, Brian, Jie Yang, Aegyung Kim, Kai Soh & Matthew Berryman. (2016). The Douban online social media barometer and the Chinese reception of Korean popular media flows. Participants: Journal of Audience & Reception Studies, 13(1): 114-138. Accessed 17 June 2016 from http://www.participations.org/Volume%2013/Issue%201/6.pdf
Yoon, Kyong & Dal Yong Jin. (2016). The Korean wave phenomenon in Asian diasporas in Canada. Journal of Intercultural Studies, 37(1): 69-83.
Abd-Rahim, Atiqah. (2019). Online fandom: Social identity and social hierarchy of hallyu fans. The Journal for Undergraduate Ethnography, 9(1). Accessed 7 April 2020 fromhttps://ojs.library.dal.ca/JUE/article/view/8885
Crow, Teahlyn Frances. (2019). K-pop, language, and online fandom: An exploration of Korean language use and performativity amongst international K-pop fans. Thesis, Northern Arizona University.
Utami, Evi Farsiah. (2019). Social media, celebrity, and fans: A study of Indonesian K-pop fans. Thesis, Taylor’s University.
Welcome to Part 5 of my ongoing series of bibliographic entries about Hallyu. These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).
This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directlyat kaetrena@mailbox.sc.edu
NOTE:In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.
GENDER and SEXUALITY
Cho, Eun Sun. (2005). The stray bullet and the crisis of Korean masculinity. In N. Abelmann and K. McHugh (Eds.), South Korean Golden Age Melodrama. pp.99-116. Detroit: Wayne State University Press.
Hilts, Janet Flora. (2006). Seo Taiji 1992-2004: South Korean popular music and masculinity. Thesis, York University.
Lin, Angel & Tong, Avin. (2007). Crossing boundaries: male consumption of Korean TV dramas and negotiation of gender relations in modern day Hong Kong. Journal of Gender Studies, 16(3): 217-232.
Murphree, Hyon Joo Yoo. (2008). Transnational cultural production and the politics of moribund masculinity. East Asia Cultures Critique, 16(3): 661-688.
Saeji, CedarBough T. (2009). Korean pop culture: The border crossing heroines of Hallyu. Presented as part of the University of California, Los Angeles’ International Institute program, “Chew on this: A series of artist, academic and choreographic presentations by world arts and cultures graduate students and faculty. Accessed 28 August 2012 fromhttp://www.international.ucla.edu/calendar/showevent.asp?eventid=7381
Chang, Youngchi. (2009). Singles in Seoul: Korean femininity and western postfeminism in popular media. Thesis, University of Wisconsin-Milwaukee.
Davies, Gloria, Davies, M.E., & Cho, Young-A. (2010). Hallyu ballyhoo and Harisu: Marketing and representing the transgendered in South Korea. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed 24 August 2012 fromhttp://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter9.html
Jung, Eun-Young. (2010). Playing the race and sexuality cards in the transnational pop game: Korean music videos for the U.S. market. Journal of Popular music studies, 22(2): 219-236.
Maliangkay, Roald. (2010). The effeminacy of male beauty in Korea. The Newsletter, no.55 (Autumn/Winter): 6-7. Accessed 22 November 2011 fromhttp://iias.asia/files/iias_nl55_0607.pdf
Manietta, Joseph. (2010). Transnational masculinities: The distributive performativity of gender in Korean boy bands. Thesis, University of Colorado.
Chan, Brenda. (2011). Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas. International Journal of Cultural Studies, 14(3): 291-305.doi: 10.1177/1367877910391868
Kim, Joo Mee & Shin, Se Yeong. (2011). The study on fashion, beauty, design and emotional image by external image type of Korean male idol stars. Fashion Business, 15(6):71-84. abstract here:http://www.papersearch.net/view/detail.asp?detail_key=1k901120
Kim, Yeran. (2011). Idol republic: the global emergence of girl industries and the commercialization of girl bodies. Journal of Gender Studies, 20(4): 333-345. DOI:10.1080/09589236.2011.617604
Kim, Jeongmee. (2012). My Lovely Sam-Soon: Absent sex and the unbearable lightness of sweet Korean romance. In J. Aston, B. Glynn and B. Johnson (Eds.) Television, Sex and Society: Analyzing Contemporary Representations. pp. 111 – 124. New York: Continuum International Publishing Group.
Lie, John. (2013). Why didn’t “Gangnam Style” go viral in Japan? Gender divide and subcultural heretogenity in contemporary Japan. Cross-Currents: East Asian History and Culture Review, (9): 44-67. Accessed 16 June 2016 from https://cross-currents.berkeley.edu/e-journal/issue-9/lie .
Ahn, Patty. (2014). Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. Dissertation: University of Southern California.
Oh, Chuyun. (2015). Queering spectatorship in K-pop: The androgynous male dancing body and western female fandom. The Journal of Fandom Studies, 3(1): 59-78.
Oh, David C. (2015). K-popscape: Gender fluidity and racial hybridity in transnational Korean pop dance. Dissertation, The University of Texas at Austin. Accessed 7 April 2020 from https://repositories.lib.utexas.edu/handle/2152/31700.
Park, Michael K. (2015). Psy-Zing up the mainstream of “Gangnam Style”: Embracing Asian masculinity as neo-minstrelsy? Journal of Communication Inquiry, 39(3): 195-212.
Oh, Chuyun. (2016). “Cinderella” in reverse: Eroticizing bodily labor of sympathetic men in K-pop practice video. In X. Lin, C. Haywood, and Mairtin Mac an Ghaill (Eds.) East Asian men: Masculinity, sexuality, and desire, (pp. 123 -141). London: Palgrave.
Praptika, Yanti. (2016). The representation of masculinity in South Korean reality show, “The Return of Superman.” Thesis, Airlangga University. Accessed 7 April 2020 fromhttp://repository.unair.ac.id/56090/.
Ainslie, Mary. J. (2017). Korean soft mascunility vs. Malay hegemony: Malaysian masculinity and Hallyu freedom. Korea Observer, 48(3): 609-638.
Basil, Glynn & Kim, Jeongmee. (2017). Life is beautiful: Gay representation, moral panics, and South Korean television drama beyond hallyu. Quarterly Review of Film & Video, 34(4): 333-347.
Oh, Chuyun & Oh, David C. (2017). Unmasking queerness: Blurring and solidifying queer lines through K-pop cross-dressing. Journal of Popular Culture, 50(1): 9-29.
Strong, Shelby. (2018). Should we pass on ‘passing women’? The stakes of (trans)gender ontologies for South Korean namjangyeoja television dramas. Thesis, Univerity of Illinois. Accessed 7 April 2020 from https://www.ideals.illinois.edu/handle/2142/101061.
Arambam, Teresa Devi. (2019). Transition of the idea of masculinity in K-pop culture within Indian viewers. Navajyoti,4(2). Accessed 7 April 2020 from https://bit.ly/34fi6F2.
Kim, Hyunsook, Kyu, Thick, & Jang, Haeyoung. (2019). Women’s gender role identity and hallyu acceptance in Myanmar. Asian Women, 35(3): 45-68.
Kwon, Seung-ho. (2019). Hallyu and gender I: Women’s identities in transition in southeast Asia. Asian Women, 35(3): i-iii.
Syed, Md, Azaknshah, Md, & Kwon, Seung-ho. (2019). Hallyu and strategic interpretation of Malaysian modernity among young Malay women. Asian Women, 35(3): 1-24.
Song, Kirsten Younghee & Velding, Victoria. (2020). Transnational masculinity in the eyes of local beholders? Young Americans’ perception of K-pop masculinities. The Journal of Men’s Studies, 28(1): 3-21.
KPK: Kpop Kollective 