Tag: Hallyu Studies

For Your Reading Pleasure: A Hallyu Bibliography, Part 5: GENDER and SEXUALITY

· 1 Comment ·

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 5 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3  and Part 4 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

GENDER and SEXUALITY

Cho, Eun Sun. (2005). The stray bullet and the crisis of Korean masculinity. In N. Abelmann and K. McHugh (Eds.), South Korean Golden Age Melodrama. pp.99-116. Detroit: Wayne State University Press.

Hilts, Janet Flora. (2006). Seo Taiji 1992-2004: South Korean popular music and masculinity. Thesis, York University.

Jung, Sun. (2006). Bae Yong-Joon, hybrid masculinity & the counter-coeval desire of Japanese female fans. Particip@tions 3(2). Accessed 22 August 2012 from http://www.participations.org/volume%203/issue%202%20-%20special/3_02_jung.htm

Lin, Angel and Avin Tong. (2007). Crossing boundaries: male consumption of Korean TV dramas and negotiation of gender relations in modern day Hong Kong. Journal of Gender Studies, 16(3): 217-232.

Murphree, Hyon Joo Yoo. (2008). Transnational cultural production and the politics of moribund masculinity. East Asia Cultures Critique, 16(3): 661-688.

Saeji, CedarBough T. (2009). Korean pop culture: The border crossing heroines of Hallyu. Presented as part of the University of California, Los Angeles’ International Institute program, “Chew on this: A series of artist, academic and choreographic presentations by world arts and cultures graduate students and faculty. Accessed 28 August 2012 from http://www.international.ucla.edu/calendar/showevent.asp?eventid=7381

Chang, Youngchi. (2009). Singles in Seoul: Korean femininity and western postfeminism in popular media. Thesis, University of Wisconsin-Milwaukee.

Crieghton, Millie. (2009). Japanese surfing the Korean wave: Drama tourism, nationalism, and gender via ethnic eroticisms. Southeast Review of Asian Studies, 31: 10-38. Accessed 2 November 2011 from http://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/SERAS_2009.pdf#page=36

Davies, Gloria, M.E. Davies and Young-A Cho. (2010). Hallyu ballyhoo and Harisu: Marketing and representing the transgendered in South Korea. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed 24 August 2012 from http://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter9.html

Jung, Eun-Young. (2010). Playing the race and sexuality cards in the transnational pop game: Korean music videos for the U.S. market. Journal of Popular music studies, 22(2): 219-236.

Jung, Sun. (2010). Chogukjeok Pan-East Asian soft masculinity: Reading Boys Over Flowers, Coffee Prince and Shinhwa fan fiction. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed 24 August 2012 from http://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter8.html

Maliangkay, Roald. (2010). The effeminacy of male beauty in Korea. The Newsletter, no.55 (Autumn/Winter): 6-7. Accessed 22 November 2011 from http://iias.asia/files/iias_nl55_0607.pdf

Chan, Brenda. (2011). Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas. International Journal of Cultural Studies, 14(3): 291-305.doi: 10.1177/1367877910391868

Kim, Joo Mee and Se Yeong Shin. (2011). The study on fashion, beauty, design and emotional image by external image type of Korean male idol stars. Fashion Business, 15(6):71-84. abstract here: http://www.papersearch.net/view/detail.asp?detail_key=1k901120

Kim, Yeran. (2011). Idol republic: the global emergence of girl industries and the commercialization of girl bodies. Journal of Gender Studies, 20(4): 333-345. DOI:10.1080/09589236.2011.617604

Kim, Jeongmee. (2012). My Lovely Sam-Soon: Absent sex and the unbearable lightness of sweet Korean romance. In J. Aston, B. Glynn and B. Johnson (Eds.) Television, Sex and Society: Analyzing Contemporary Representations. pp. 111 – 124. New York: Continuum International Publishing Group.

Lie, John. (2013). Why didn’t “Gangnam Style” go viral in Japan? Gender divide and subcultural heretogenity in contemporary Japan. Cross-Currents: East Asian  History and Culture Review, (9): 44-67. Accessed 16 June 2016 from https://cross-currents.berkeley.edu/e-journal/issue-9/lie 


Park, Michael K. (2015). Psy-Zing up the mainstream of “Gangnam Style”: Embracing Asian masculinity as neo-minstrelsy? Journal of Communication Inquiry, 39(3): 195-212.

Happy Reading!

KDK/Nunee (M.S.L.S.)

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

For Your Reading Pleasure: A Hallyu Bibliography, Part 4: GLOBAL IMPACT and GLOBALIZATION

· 2 Comments ·

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 4 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL +F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, and Part 3 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Global Impact

Dator, Jim. and Yongseok Seo. (2004). Korea as the wave of a future: The emerging dream society of icons
and aesthetic experience. Journal of Futures Studies 9(1): 31–44. Accessed 27 March 2012 from http://www.jfs.tku.edu.tw/9-1/04.pdf?referer=www.clickfind.com.au

Cho, Hae Joang. (2005). Reading the “Korean Wave” as a Sign of Global Shift.  Korea Journal 45: 147–82. Accessed 27 March 2012 from http://www.ekoreajournal.net/issue/view_pop.htm?Idx=3359

Mangliankay, Roald. (2006). When the Korean wave ripples. IIAS Newsletter, 42: 15. Accessed 27 March 2014 from https://openaccess.leidenuniv.nl/bitstream/handle/1887/12766/IIAS_NL42_15.pdf?sequence=1

Yang-hwan, Jeong. (2007). Comics soar as new Korean wave. Korea focus on current topics, 15(1):67-69. Accessed 27 March 2014 from http://www.koreafocus.or.kr/images/upload/pdf/101439.pdf

Shin, Hyunjoon. (2009). Have you ever seen the Rain? And who’ll stop the Rain?: the globalizing project of Korean pop (Kpop). Inter-Asia Cultural Studies, 10(4): 507-523.

Park, Gil-sung. Manufacturing creativity: Production, performance, and the dissemination of K-pop. Korea Journal, 53(4): 14-33.

 Globalization

Nederveen Pieterse, Jan. (1995). Globalization as hybridization. In M. Featherstone, S. Lash and R. Robertson (Eds.) Global Modernities. pp.45 – 68. London: Sage.Cho, Uhn. 2005. Positioning the Korean wave in the nexus between globalization and localization. Korea Journal, 45(4): 143-146.

Hyun, Oh-seok. 2004. Taking advantage of the Hallyu wave. Korea Focus, 12(6): 47-49.

Lee, Hee-Eun. (2005). Othering ourselves: identity and globalization in Korean popular music, 1992-2002. Thesis, University of Iowa.(see also, Identity and Nationalism)

Kim, Youna. (2005). Experiencing globalization. International Journal of Cultural Studies, 8(4): 445-463.

Kim, Ju Young. (2007). Rethinking media flow under globalisation: rising Korean wave and Korean TV and film policy since 1980s. PhD thesis, University of Warwick. Accessed 27 March 2014 from http://wrap.warwick.ac.uk/1153/1/WRAP_THESIS_Kim_2007.pdf

Seo, Yongseok. (2006). East Asian response to the globalization of culture: perceptional change and cultural policy. In J. Dator, Dick Pratt and Yongseok Soo (Eds.) Fairness, globalization and public institutions: East Asia and beyond. X: University of Hawai’i Press. pp. 319 – X. (see also, Culture)

Yang, J. (2007). Globalization, nationalism and regionalization: The case of Korean popular culture. Development and Society, 36(2): 177-199.

Sung, Sang Yeon. (2008). Globalization and the regional flow of popular music: the role of the Korean wave (Hanliu) in the construction of Taiwanese identities and Asian values. Thesis, Indiana University, Bloomington.

Le, Lan Xuan. (2009). Imaginaries of the Asian modern: text and context at the juncture of nation and region. Thesis, Massachusetts Institute of Technology.  

Ryoo,  W.   (2009).  Globalization,  or  the  logic  of cultural  hybridization:  The  case  of the  Korean  wave.  Asian Journal  of Communication,  19(2),  137 -15I .

Iwabuchi, Koichi. (2010). Globalization, East Asian media cultures and their politics. Asian Journal of Communication, 20(2): 197-212.

Hogarth, Hyun-key Kim. (2013). The Korean wave: An Asian reaction to Western-dominated globalization. Perspectives on Global Development & Technology, 12(1/2): 135-171.

Hong, Soonkwan. (2013). Surfing the Korean wave: A postcolonial critique of the mythologized middlebrow consumer culture in Asia. Qualitative Market Research: An International Journal, 16(1): 53-75.

Oh, Ingyu. (2013). The globalization of K-pop: Korea’s place in the global music industry. Korea Observer, 44(3): 389-409.

Lee, Gyu Tag. (2014). De-nationalization and re-nationalization of culture: The globalization of K-pop. Dissertation, George Mason University.

Meza, Xanat Varga & Han Woo Park. (2015). Globalization of cultural products: A webometric analysis of Kpop in Spanish-speaking countries. Quality & Quantity, 49(4): 1345-1360.

Happy Reading!

KDK/Nunee (M.S.L.S.)

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

For Your Reading Pleasure: A Hallyu Bibliography, Part 3: CULTURE and CULTURAL INDUSTRY

· 3 Comments ·

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 3 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL +F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 and Part 2 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Culture

Iwabuchi, Koichi, Stephen Muecke, & Mandy Thomas. (2004). Rogue Flows: Trans-Asian Cultural Traffic. Hong Kong: Hong Kong University Press.

Kim, J.H. (2004). Korean wave in Japanese culture. Journal of Human Subjectivity, 4(1): 85-95. 

Park, Jung-sun. (2004). Korean American youth and transnational flows of popular culture across the Pacific. Amerasia Journal, 30(1): 147-169.

Fu Su Yin, Kelly, and Kai Khiun Liew. (2005).  “Hallyu in Singapore: Korean Cosmopolitanism or the Consumption of Chineseness?” Korean Journal 45.4: 206-32.

Iwabuchi, Koichi. (2005). Discrepant intimacy: Popular culture flows in East Asia. In J.N. Erni and S.K. Chua (Eds.) Asian Media Studies: Politics of Subjectivities. Hong Kong: Hong Kong University Press.

Jeon, G. and T. Yoon. (2005). Realizing the Korean wave into an Asiatic flow. Korean Journal of Broadcasting

Kwon, Haesoo and Chai Wonho. (2005). The diffusion of Korean Wave (Hallyu) as a cultural exchange. In 2005 Proceedings of the International Conference of Seoul Association for Public Administration (SAPA). pp. 1 -20.

Lee, Keehyeung. (2005). Assessing and Situating ‘the Korean Wave’ (Hallyu) through a Cultural Studies Lens. Asian Communication Research, 2(2): 5-22. Abstract assessed 2 November 2011. http://www.dbpia.co.kr/view/ar_view.asp?arid=1030476

Park, J.S. (2005). The Korean Wave: Transnational cultural flows in Northeast Asia. In C.K. Armstrong, G. Rozman, S.S. Kim & S. Kotkin (Eds.), Korea at the Center: Dynamics of Regionalism in Northeast Asia. London: M.E. Sharpe, Inc.

Lee, Heejae. (2005). The Korean wave on the viewpoint of Hwa-Yi (China-Barbarism). First International Conference of the Asian Philosophical Association. pp.117 – 124. Accessed 22 August 2012 from http://www.icapa2005.fatih.edu.tr/icapa2005.pdf#page=125

Lee, Jamie Shinhee. (2005). Discourses of fusion and crossing: Pop culture in Korea and Japan. Thesis, University of Illinois at Urbana-Champaign.

Kim, Shin Dong. (2006). Mass culture of/in Korea. Accessed 24 August 2012 from http://his.hallym.ac.kr/site/user_up/file/2006_s9.doc

 Seo, Yongseok. (2006). East Asian response to the globalization of culture: perceptional change and cultural policy. In J. Dator, Dick Pratt and Yongseok Soo (Eds.) Fairness, globalization and public institutions: East Asia and beyond. X: University of Hawai’i Press. pp. 319 – X. 

Kim, Eun Mee. (2007). South Korean culture goes global?: Kpop and the Korean wave. Presented at the University of California, Los Angeles International Institute. Accessed 28 August 2012 from http://www.international.ucla.edu/calendar/showevent.asp?eventid=6106

Kim, Eun Mee and Jiwon Ryoo. (2007). South Korean culture goes global: Kpop and the Korean wave. Korean Social Science Journal, 34(1): 117-152. Retrieved from http://kossrec.org/board/imgfile/KSSJ%20Vol.34.no.1(Eun%20Mee%20Kim%26Jiwon%20Ryoo)).pdf

Kim, Jeongmee. (2007). Why does hallyu matter? The significance of the Korean wave in South Korea. Critical Studies in television: scholarly studies in small screen fictions, 2(2): 47-59.

Xuenzhe, Liu. (2007). The rising Korean wave among Chinese youth. Accessed 23 November 2011 from http://fxqw820.tripod.com/AWS.pdf

Choi, Jaz Hee-jeong (2008). The New Korean Wave of U. In Anheier, Helmut K. & Isar, Yudhishthir Raj (Eds.) Cultures and Globalization : The cultural economy. Sage Publications, Thousand Oaks, CA

Ko, Y.J. (2008). Riding with the Korean wave: Reflections on trans-Asian cultural flows. Paper presented at the New Media and Global Diaspora Symposium. Accessed 28 March 2012 from http://reasonandrespect.rwu.edu/journal/index.php/2009/05/26/riding-with-the-korean-wave-reflections-on-trans-asian-cultural-flows/

Vuong, Phuong My. (2008). Korean wave: cultural influence upon China. Thesis, Concordia University Irvine.

Jung, Eun-Young. (2009). Transnational Korea: A critical assessment of the Korean wave in Asia and in the United States. Southeast Review of Asian Studies, 31: 69-80. Accessed 2 November 2011 fromhttp://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/06_Jung_2009.pdf 

Kim, Sujeong. (2009). Interpreting transnational cultural practices. Cultural Studies, 23(5/6): 736-755.

Lee, Jung-yup. (2009). Managing the transnational, governing the national: Cultural policy and the politics of “culture archetype” project in South Korea. Accessed 5 April 2012 from http://sonicscape.koreanpop.org/wp-content/uploads/2009/07/jylee-culture-archetype-20090704.pdf

Leung, L.Y. M. (2009). Daejanggeum as ‘affective mobilization’: Lessons for (transnational) popular culture and civil society. Inter-Asia Cultural Studies, 10(1): 51-66.

Ayhan, Kadir. (2010). The nexus between East Asian regionalization and popular culture: the case of the Korean wave. Seoul National University (thesis).Retrieved from http://library.snu.ac.kr/site/snu/viewer/SNUPDFViewer.jsp?cid=3387447&moi=1778232&file=2415694

Chua, Beng Huat. (2010). Korean pop culture. Malaysian Journal of Media Studies, 12(1): 15-24. Accessed 4 April 2012 from http://umepublication.um.edu.my/filebank/published_article/621/JPMM%202010_1%20Chua%20Beng%20Huat.pdf

Park, Sora. (2010). The impact of media use  and cultural exposure on the mutual perception of Koreans and Japanese. Asian Journal of Communication, 15(2): 173-187.

Bergen, Hannah N. (2011). Understanding Korean society through popular music. Situations, 5 (Winter): 82-90. Accessed 16 April 2012 from http://web.yonsei.ac.kr/bk21/2011%EB%85%84Situations%ED%8C%8C%EC%9D%BC/7_Hannah_Bergen_01[1].pdf

Lee, Dong-Yeon. (2011). “What Is Idol Pop?” In IDOL: From H.O.T. to SNSD, Idol Culture Report, edited by Lee Dong-Yeon, 14–48. Seoul: Imagine.

Ravikesh. (2011). A Cross-Cultural Perspective on Korean Wave (Hallyu) in South Asia. Presented at the The 3rd International Conference on Language and Communication, Bangkok Thailand.

Ramesh, Bharadwaj. A Hallyu Story: Behind the origins and success of the Korean wave in China & the future of content in a broadband world.  Accessed 17 June 2016 from http://bit.ly/23ggIuk

Katsiaficus, George. Asia and South Korean social movements. Accessed 4 April 2012 from http://tainguyenso.vnu.edu.vn/jspui/bitstream/123456789/7550/1/Hoi%20thao%20Han%20quocTB3-03.pdf

Yasumoto, Seiko. (n.d.) Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from http://rp-www.arts.usyd.edu.au/korean/downloads/KSAA2009/Global_Korea_Proceedings_311-321_Yasumoto.pdf

Ju, Hyejung & Soobum Lee. (2015). The Korean wave and Asian Americans: the ethnic meanings of transnational Korean pop culture in the USA. Journal of Media & Cultural Studies, 29(3): 323-338.

Cultural Industry

Otmazgin, Nissim Kadosh. (2005). Cultural commodities and regionalization in East Asia. Contemporary Southeast Asia, 3: 499-523.

Park, J. B. (2005). Expanding and sustaining ‘Korean Wave’: by the way of developing killer contents. Korean Wave 2005! – Opportunities and Challenges, Seoul, Korea, Korean Wave Promotions & Policies Foundation.

Kim, Youna. (2006). ‘Rising East Asia ‘Wave’: Korean media go global’, in  Thussu,  Daya  (ed.).  Media  on  the  Move:  Global  Flow  and  Contra  Flow, London: Routledge, pp. 135-152.  

Shin, Seung-il. (2006). Opening the second stage of Hallyu. Korea Focus, 14(2):65-66.

Arcodia, C., X Zhiang, D. Sohn & T. Lee. (2008). The sustainable development of the Korean cultural entertainment industry with the Korean wave (Hallyu). Sun Yat-Sen University. (more information: http://espace.library.uq.edu.au/view/UQ:160019)

Park, Kang Ah. (2008). The growth of the cultural industry and the role of government: the case of Korea. Thesis, Massachusetts Institute of Technology. Accessed 2 November 2011 from http://dspace.mit.edu/handle/1721.1/45761

Shim, Doobo. (2008). The growth of Korean cultural industries and the Korean wave. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 15 – 32. Aberdeen: Hong Kong University Press.

Kim, Milim. (2011).The role of the government in cultural industry: Some observations from Korea’s experience. Keio Communication Review, 33: 163- 182. Accessed 4 April 2012 from http://www.mediacom.keio.ac.jp/publication/pdf2011/10KIM.pdf

Otmazgin, Nissim. (2011). A tail that wags the dog? Cultural industry and cultural policy in Japan and South Korea. Journal of Comparative Policy Analysis: Research and Practice, 13(3): 307-325. doi: 10.1080/13876988.2011.565916

Seabrook, John. (2012). Factory girls. New Yorker, 88(31): 88-97.

Kim, Jeong Gon and Se Young Ahn. (n.d.).  Patterns and impacts of Korea’s cultural exports: Focused on East Asia. Accessed 22 August 2012 from
*http://home.sogang.ac.kr/sites/iias/iias04/Lists/b6/Attachments/52/6.%20Patterns_and_Impacts_of_Korea%20(Se%20Young%20Ahn_Jeong%20Gon%20Kim).docx

Yasumoto, Seiko.( n.d.). Japan and Korea as a source of media and cultural capital. Accessed 24 August 2012 from http://rp-www.arts.usyd.edu.au/korean/downloads/KSAA2009/Global_Korea_Proceedings_311-321_Yasumoto.pdf

Jang, Wonho & Youngsun Kim. (2013). Envisaging the sociocultural dynamics of K-pop: Time/space hybridity, Red Queen’s race, and cosmopolitan striving. Korea Journal, 53(4): 83-106.

Dal, Yong Jin. (2014). The power of the nation-state amid Net-liberal reform: Shifting cultural policies in the new Korean wave. Pacific Affairs, 87(1): 71-92.

Kim, Yeojin. (2014). A possibility of the Korean wave Renaissance construction through K-pop: Sustainable development of the Korean wave as a cultural industry. Hastings Communications & Entertainment Law Journal, 36(1): 59-88.

Kwon, Seung-ho & Joseph Kim. (2014).  The cultural industry policies of the Korean government and the Korean wave. International Journal of Cultural Policy, 20(4): 422-439.

Baek, Young Min. (2016). Relationship between cultural distance and cross-cultural music video consumption on YouTube. Social Science Computer Review, 33(6): 730-748. 

Chen, Steven. (2016). Cultural technology. International Marketing Review, 33(1): 25-50.

 

Happy Reading!

KDK/Nunee (M.S.L.S.)

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

For Your Reading Pleasure: Introducing A Hallyu Bibliography

· 8 Comments ·

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Last month I shared why my background in Library and Information Science matches so well with the mission and work of KPK: Kpop Kollective.  One of the roles I play is information provider (billed “Research and Information Clearinghouse” on that fine chart from last month’s blog). More and more frequently, visitors to our site are government employees, graduate students, and university faculty members from all over the world who have a strong academic interest in Hallyu. Since July 2011, I have been collecting and organizing citations of conference presentations, scholarly articles, book chapters and books covering all aspects of Hallyu, including popular music, television, fans, and more.  In an upcoming series of posts, I’ll be sharing with you unannotated citations of items that I’ve discovered as I’ve mined information.

Venn diagrams of BOOLEAN Operator results. Created by Kaetrena Davis Kendrick, M.S.L.S. for KPK: Kpop Kollective.

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Elon University Talks to Crystal Anderson about Blogging and Research

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Dr. Crystal Anderson, Associate Professor of English, publishes her research in a medium that many scholars avoid: A blog.

Anderson, who teaches classes in Asian film and literature, stumbled upon “Kpop,” or Korean popular music that is part of culture (“Hallyu,” a cultural movement) that strives to spread Korean culture throughout the globe through music, film and television. As she continued to explore Kpop, she found that there was no centralized place to get information. She launched her blog, Kpop Kollective, as both a vehicle for her research and as an online Kpop information hub that fosters collaboration.

Read more at Instructional and Campus Technologies at Elon University. (originally published on May 17, 2012)

 

An Informal Review of Sun Jung’s “Korean Masculinities”: Part 1

· 4 Comments ·

Don’t get too excited: this book may have a very, very sexy picture of Rain on the cover, but it’s a trap. Published in 2011 by the Hong Kong University Press, Sun Jung‘s Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols has been talked about quite a lot in the academic field of Cultural Studies. People have claimed that it’s the most informative book on Hallyu out there at the moment.

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