Author: Kaetrena Davis Kendrick

For Your Reading Pleasure: A Hallyu Bibliography, Part 10: LANGUAGE

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 10 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5 , Part 6, Part 7 , Part 8, and Part 9 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Lee, Jamie Shinhee. (2004). Linguistic hybridization in K-pop: discourse of self-assertion and resistance. World Englishes, 23(3): 429-450. doi: 10.1111/j.0883-2919.2004.00367.x

Lee, Jamie Shinhee. (2006). Linguistic Hybridization in K-pop, In Kingsley Bolton and Braj B. Kachru (eds.), Critical Concepts in Linguistics: World Englishes. Pp.299-326. London & New York: Routledge. 6 volume set. vol. 4.

You, Byeong Keun. (2005). Children negotiating Korean American ethnic identity through their heritage language. Bilingual Research Journal, 29(3): 711-721. doi: 10.1080/15235882.2005.10162860

Lee, Jamie Shinhee. (2007). “Im the illest fucka”: An Analysis of African American English in South Korean Hip Hop. English Today: The International Review of the English Language 23(2): 54-60.

Lee, Jamie Shinhee. (2007). Language and Identity: Entertainers in South Korean Pop Culture, In Miguel Mantero (ed.), Identity and Second Language Learning. pp. 283-303. Charlotte, NC: Information Age Publishing.

Park, Joseph Sung Yul. (2009). Regimenting languages on Korean television: subtitles and institutional authority. Text & Talk, 29(5): 547-570.

Hu, Brian. (2010). Korean TV Serials in the English-Language Diaspora: Translating Difference Online and Making It Racial. The Velvet Light Trap, 66 (Fall): 36 -49.

Lee, Jamie Shinhee. (2010). Glocalizing Keepin’ it real: South Korean hip hop playas. In M. Terkourafi (Ed.) Languages of Global Hip-Hop. London: Continuum International Publishing Group. pp. 139 – 161.

Rembert-Lang, LaToya D. (2010-2011). Reinforcing the power of Babel: The impact of copyright law on fansubbing. Intellectual Property Brief, 2(2): 21-33. 

Lee, J.S. 2011. Globalization of African American vernacular English in popular culture Blinglish in Korean hip hop. English World-Wide, 32(1): 1-23.

Cheon, Sang Yee. Teaching the language and culture of Korean through film and tv drama in an American university setting. Accessed from http://hawaii.edu/korea/pages/announce/inha07/papers/cheon.pdf

King, Ross. Globalization and the future of the Korean language. Accessed from http://www.academia.edu/3358628/Globalization_and_the_future_of_the_Korean_language_some_preliminary_thoughts

Jin, Dal Yong & Woongjae Ryoo. (2014). Critical interpretation of hybrid K-pop: The global-local paradigm of English-mixing in lyrics. Popular Music & Society, 37(2): 113-131.

Shin, Seong-Chu. (n.d.) Students’ motivation, learning experiences, and learning style preferences: A survey on Australian college students of Korean. Accessed from http://rp-www.arts.usyd.edu.au/korean/downloads/KSAA2009/Global_Korea_Proceedings_401-417_Shin.pdf

Happy Reading!

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For Your Reading Pleasure: A Hallyu Bibliography, Part 11: WINTER SONATA

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 11 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5 , Part 6, Part 7 , Part 8, Part 9, and Part 10 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Kaori, H. (2005).  Assessing the popularity of Winter Sonata. How do women’s emotions affect the public sphere in Japan. Media Consumption and the Korean Wave in East Asia

Lee, Sue Kyung. (2005). The Korean wave in Japan: Winter sonata and its implications through audience perceptions. Thesis, University of Texas, Austin.

Kim, D. (2006). Transcending Borders: Korean Soap Opera, Winter Sonata, Effects on Japanese Middle-Aged Women. Paper presented to the 56th annual convention of the International Communication Association, Dresden, Germany, June.

Han, Min Hwa et al. (2007). Forced invisibility to negotiating visibility: Winter Sonata, the Hanyru phenomenon and Zainichi Koreans in Japan. Keio Communication Review. 29: 155-174. Accessed from http://www.mediacom.keio.ac.jp/publication/pdf2007/pdf/Min%20Wha%20HAN.pdf

Hanaki, T., A. Singhal, M. Han, D.-K. Kim and K. Chitnis. (2007) Hanryu, the Korean Wave, Sweeps East Asia: Winter Sonata, a South Korean Television Series, Grips Japan,  The International Communication Gazette 69(3): 281–94. Accessed from http://utminers.utep.edu/asinghal/Reports/Hanaki_Singhal_Han_Kim_Chitnis_Gazette_2007.pdf

Han, Benjamin Min. (2008). Reliving Winter Sonata: memory, nostalgia and identity. Post Script, 27(3). Accessed from http://www.freepatentsonline.com/article/Post-Script/191765321.html

Han, Hee Joo & Jae-Sub Lee. (2008). A Study on the KBS drama Winter Sonata and its impact on Korea’s Hallyu tourism development. Journal of Travel & Tourism Marketing, 24 (2/3): 115-126. 

Kim, Samuel Seongseop, Jerome Agrusa and Kaye Chon. (2008). The effects of Korean pop culture on Hong Kong residents’ perceptions of Korea as a potential tourist destination. Journal of Travel & Tourism, 24(2/3):  163-183.

Mori, Yoshitaka. (2008). Winter Sonata and cultural practices of active fans in Japan: Considering middle-aged women as cultural agents. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 127-X. Aberdeen: Hong Kong University Press. 

Kim, Do Hyun et al. (2009). Television drama, narrative engagement and audience buying behavior: The Effects of Winter Sonata in Japan.The International Communication Gazette, 71(7): 1-17. Accessed from http://utminers.utep.edu/asinghal/Articles%20and%20Chapters/Kim-Singhal-et-al-2009-Winter-Sonata-0purchasing-behavior-Gazette-1.pdf

Lee, Jonghoon. (2010). Winter sonata dreams: The influence of the Korean wave on Japanese society. Thesis, Florida State University. 

Tokita, Alison. (2010). Winter Sonata and the politics of memory. In Black, D., Stephen Epstein and Alison Tokita (Eds.) Complicated Currents. Clayton, Victoria, Australia: Monash University ePress. Accessed from http://books.publishing.monash.edu/apps/bookworm/view/Complicated+Currents/122/xhtml/chapter3.html

Happy Reading!

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Let KPK Introduce You to…Johnny Gill

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Artist: Park Hyo Shin

Press Play to Hear “어느새 (Suddenly)” from Park Hyo Shin’s album Neoclassicism (released June 2, 2005).

Park Hyo Shin’s vocal styling echoes…

Artist: Johnny Gill

Press Play to hear “Lady Dujour” from Johnny Gill’s album Let’s Get the Mood Right (released October 8, 1996).

ELEMENTS OF NOTE:

  • Wide vocal range, from falsetto to baritone.
  • Emotional vocal tones
  • Rich R&B instrumentation and arrangement.

MORE CONTEXT:

Learn more about Johnny Gill.

Happy Listening!

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For Your Reading Pleasure: A Hallyu Bibliography, Part 9: IMAGE

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 9 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5 , Part 6, Part 7 , and Part 8 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Chung, Heejoon. (2003). Sport star vs. Rock star in globalizing popular culture: Similarities, differences and paradoxes in discussion of celebrities. International review for the Sociology of Sport, 38(1): 99-108.

Park. G. (2004). An analysis of the effects of Hanlyu reflected in street fashion in China. Korean Journal of Human Ecology, 13(6): 967-983.

Rhee, Seung Chul. (2006). The average Korean attractive face. Aesthetic Plastic Surgery, 30(6): 729-730. doi: 10.1007/s00266-006-0157-x

Tsai, Eva. (2007). Caught in the terrains: an inter-referential inquiry of trans-border stardom and fandom. Inter-Asia Cultural Studies, 8(1): 135-154. ALSO PRINTED in:  Tsai, Eva. 2007. Caught in the terrains: an inter-referential inquiry of trans-border stardom and fandom. In K-H Chen and C.B. Huat (Eds.) The Inter-Asia Cultural Studies Reader. pp.323-344. Abingdon: Routledge.

Rhee, Seung Chul, Eun Sang Dhong and Eul Sik Yoon. (2009). Photogrammatic facial analysis of attractive Korean entertainers. Aesthetic Plastic Surgery, 33(2): 167-174.

Lee Soojin. (2010). Celebrity fandom and its relationship to tourism and leisure behaviors: the case of the Korean wave. Thesis, Texas A&M University.

Kim, Joo Mee and Se Yeong Shin. (2011). The study on fashion, beauty, design and emotional image by external image type of Korean male idol stars. Fashion Business, 15(6):71-84. abstract here: http://www.papersearch.net/view/detail.asp?detail_key=1k901120

Kim, Yeran. (2011). Idol republic: the global emergence of girl industries and the commercialization of girl bodies. Journal of Gender Studies, 20(4): 333-345. DOI:10.1080/09589236.2011.617604 

Park, Judy. (2011). The aesthetic style of Korean singers in Japan: A review of Hallyu from the perspective of fashion. International Journal of Business and Social Science, 2(19): 23- 34. Accessed from http://www.ijbssnet.com/journals/Vol_2_No_19_Special_Issue_October_2011/3.pdf

Maliangkay, Roald. (2012). The token non-conformist: The packaging of Korean boy and girl bands. Presented at the Nam Center for Korean Studies’ Hallyu 2.0: The Korean Wave in the Age of Social Media Symposium. Accessed from https://www.ii.umich.edu/ncks/news-events/events/conferences—symposia/hallyu-2-0–the-korean-wave-in-the-age-of-social-media/hallyu-program/hallyu-2-0–roald-maliangkay.html 

Sung, Sang-Yeon Loise. (2012). The role of Hallyu in the construction of East Asian regional identity in Vienna. European Journal of East Asian Studies. 11(1): 155-171.

Howard, Keith. (2015). Politics, parodies, and the paradox of Psy’s ‘Gangnam Style.’ Romanian Journal of Sociological Studies, (1): 14-29. Accessed from http://journalofsociology.ro/wp-content/uploads/2015/08/Full-text-pdf.1.pdf

Unger. Michael A. (2015). The aphoria of presentation: Deconstructing the genre of K-pop girl group music videos in South Korea. Journal of Popular Music Studies, 27(1): 25-47.

Kim, Suk Young. (2016). The many faces of K-pop music videos: Revues, Motown, and Broadway in ‘Twinkle.’ Journal of Popular Culture, 49(1): 136-154.

Rocha, Nayelli Lopez. (2016). The role of Hallyu as pop culture in the creation and dissemination of the contemporary Korean woman’s image. Portes: Revista Mexicana de estudios sobre la Cuenca del Pacifico, 9(18): 171-195. Accessed 16 June 2016 from http://revistasacademicas.ucol.mx/index.php/portes/article/view/412

Happy Reading!

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Let KPK Introduce You To…Black Greek Fraternity/Sorority Stepping

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Choreography and costuming for: “Maximum”

Group: TVXQ

Album: Keep Your Head Down

Album Release Date: January 5, 2011

Press Play to watch a live performance of “Maximum” by TVXQ.

“Maximum” choreography and concepts echo the traditional stepping performances of …)

Fraternity: Alpha Phi Alpha (AΦA) (the oldest African-American/Black Greek Letter Organization).

Founded: December 4, 1906 at Cornell University

AΦA’s signature stepping choreography: “Train,’” including synchronized hand or arm movements evocative of ancient Egyptian culture.

AΦA’s common performance elements, particularly for neophyte (new member) debuts: militarized or stealth-like costuming and/or masks/face coverings and hoods.*

Press Play to watch AΦA members perform a “train” step sequence (timestamp 2:51).

Press Play to watch AΦA neophytes (new members) debut on their campus.

ELEMENTS OF NOTE:

Introduction of individual members with ultimate group performance

  • Performer entrance is intense with high drama
  • All-male performers
  • Presentation points are to manifest gravity and high levels of athleticism, endurance, and self-confidence
  • Train step (footwork)
  • Synchronized and staggered arm movements
  • Hoods and covered faces, use of black military-like/stealth-like costuming
  • Songs or chants center on challenging others and overcoming obstacles, male posturing is performed (see English interpretation of “Maximum” lyrics)
  • Call-and-response performance

TRADE OFFS:

  • AΦA’s Egyptian hand formations vs. TVXQ’s mostly neutral hands or closed fists (TVXQ’s choreography includes general index-finger pointing throughout and a quick Kung Fu salute at 4:21)
  • AΦA’s call-and-response limited to fraternity members vs. TVXQ’s call-and-response with fans (who are not TVXQ group members)
  • AΦA’s militarized costuming evokes Black Panther significance in African-American culture vs. TVXQ’s stealth costuming evokes history of martial arts reconnaissance and stealth in Asian culture.

*KPK recognizes that masks are also used in Kpop talent training to disguise the identity of company trainees (those who are “pre-debut”). We also note that masks are worn by Black Greek neophytes to protect their identity until they are finally revealed at their probate (debut) show.

Learn more about Alpha Phi Alpha.

What is stepping?

See also: SHINee echoing Delta Sigma Theta Sorority, Incorporated; Rain/Bi echoing Kappa Alpha Psi Fraternity.

Happy Watching!

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For Your Reading Pleasure: A Hallyu Bibliography, Part 8: KOREAN DRAMA VIEWERSHIP and HABITS

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 8 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5 , Part 6, and Part 7 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Lee Minu and Chong Heup Cho. (1990/2003). Women watching together: An ethnographic study of Korean soap opera fans in the United States. In Gail Dines and Jean M. Humez (eds.) Gender, race  and class in media. Thousand Oaks: Sage Publications. 

Kim, Youna. (2002). Women, television and everyday life: Korean women’s reflexive experience of television mediated by generation and class. Thesis, University of London.

Park, Jung-sun. (2004). Korean American Youths’ Consumption of Korean and Japanese TV Dramas and Its Implications. In Koichi Iwabuchi (Ed.) Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas.  Pp. 275-300. Hong Kong: Hong Kong University Press.

Park, Sora. (2004). China’s Consumption of Korean Television Dramas: An Empirical Test of the “Cultural Discount” Concept’, Korea Journal 44: 265–90.

Han, Kyung-Koo. (2006). From housewives to butterflies: Hallyu and the fantastic journey to Korea. Korea Journal, 46(2): 269-274.

Kwon, Dong Hwan. (2006). Is it too early to talk about “Hallyu” in the Phillipines? Koreanovela and its reception among Filipino audience. Cultural Space and Public Sphere in Asia. 

Shim D. (2006). Korean women television viewers in Singapore. Cultural Space and Public Sphere in Asia. 

Kim, Dae Do and Su Na Mi. (2007). Consuming Korean TV Dramas in China: Analysis of a new cultural flow, “Hanryu”, in the Asian context. pp. 233-261.  

Lin, Angel and Avin Tong.  (2007). Crossing boundaries: male consumption of Korean TV dramas and negotiation of gender relations in modern day Hong Kong. Journal of Gender Studies, 16(3): 217-232.

Shim, D. (2007). Korean wave and Korean women television viewers in Singapore. Asian Journal of Women’s Studies, 13(2): 63-82.

Hirata, Yukie. (2008). Touring ‘Dramatic Korea’: Japanese women as viewers of Hanryu dramas and tourists on Hanyru tours. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 143 – 156.. Aberdeen: Hong Kong University Press. (see also, Tourism)

La Torre, Nichole S. (2008). Hallyu: Discourses of Korean drama viewership in China. Thesis. Accessed 7 December 2016 from http://scholarspace.manoa.hawaii.edu/bitstream/handle/10125/20412/M.A.CB5.H3_3489_r.pdf?sequence=2

Kim, Do Hyun et al. (2009). Television drama, narrative engagement and audience buying behavior: The Effects of Winter Sonata in Japan.The International Communication Gazette, 71(7): 1-17. Accessed 7 December 2016 from http://utminers.utep.edu/asinghal/Articles%20and%20Chapters/Kim-Singhal-et-al-2009-Winter-Sonata-0purchasing-behavior-Gazette-1.pdf 

Lee, Soobum and Hyejung Ju. (2010). Korean television dramas in Japan: Imagining “East Asianness” and consuming “nostalgia.” Asian Women, 26(2): 77-105. 

Chan, Brenda. (2011). Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas. International Journal of Cultural Studies, 14(3): 291-305.doi: 10.1177/1367877910391868

Hung Jen Su, Yu-An Huang, Glen Brodowsky & Hyun Jeong Kim. (2011.) The impact of product placement on TV-induced tourism: Korean TV dramas and Taiwanese viewers. Tourism Management, 32(4): 805-814.

Hien, Phan Thi Thu. (2012). Feminitive attraction of Hallyu (Korean Wave) in Southeast Asia. University of Social Sciences. Accessed 7 December 2016 from http://en.hcmussh.edu.vn/3cms/?cmd=130&art=1344907879368&cat=1329473737740

Lee, Sangjoon. (2012). From diaspora to Drama Fever: Consuming Korean dramas in North America. Presented at the Nam Center for Korean Studies’ Hallyu 2.0: The Korean Wave in the Age of Social Media Symposium. (Watch video of this presentation)

Chuang, Lisa M. & Hye Eun Lee. (2013). Korean wave: enjoyment factors of Korean dramas in the U.S. International Journal of Intercultural Relations, 37(5): 594-604.

Kuotsu, Neikolie. (2013). Architectures of pirate film cultures: encounters with the Korean wave in “Northeast” India. Inter-Asia Cultural Studies, 14(4): 579-599.

Yoo, Jae-woong, Samsup Jo, and Jaemin Jung. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96. 

Happy Reading!

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For Your Reading Pleasure: A Hallyu Bibliography, Part 7: IDENTITY & NATIONALISM

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Welcome to Part 7 of my ongoing series of bibliographic entries about Hallyu.   These entries are listed by year, not by author (TIP: If you know about a title or author and you want to see if it’s included in this listing, use the CTRL + F function).

To learn more about my searching parameters, information-gathering processes, and your ability to access these items, see my earlier essay titled “For Your Reading Pleasure: Introducing A Hallyu Bibliography.”  Click for Part 1 , Part 2, Part 3, Part 4,  Part 5  and Part 6 of the bibliography.

This is a working post, so if you would like to submit items to this list or to the bibliography, please contact me directly at kaetrena@mailbox.sc.edu

NOTE:  In order to make it easier to locate authors (and where possible), I’ve modified these APA Style citations by adding full author names where possible.

Lee,  D.  Y.  (2004,  March).  A  typology  of  East  Asian  popular  culture  and  Korea’s nationalism.  The  paper  presented  in  the Asian  Culture  Symposium.  Seoul:  Korea. 

Lee, Hee-Eun. (2005). Othering ourselves: identity and globalization in Korean popular music, 1992-2002. Thesis, University of Iowa.

James, David E., Marsha Kinder, Stanley Rosen, Eunsun Cho. (2006). Transnational modernity, national identity, and South Korea melodrama (1945-1960s). Thesis, University of Southern California. Accessed 7 December 2016 from http://digitallibrary.usc.edu/assetserver/controller/item/etd-Cho-20061114.pdf 

HyeJung, J. (2007). The nature of nationalism in the “Korean Wave”: A framing analysis of news coverage about Korean pop culture. Presented at the 93rd National Communication Association Conference. Accessed 7 December 2016 from http://citation.allacademic.com/meta/p_mla_apa_research_citation/1/8/7/9/2/pages187925/p187925-1.php

Siriyuvasak, Ubonrat & Hyunjoon Shin. (2007). Asianizing Kpop: production, consumption and identification patterns among Thai youth. Inter-Asia Cultural Studies, 8(1): 109-136 

Cayla, Julien and Giana M. Eckhardt. (2008). Asian brands and the shaping of a transnational imagined community. Journal of Consumer Research, 35 (2): 216 – 230. Accessed 7 December 2016 from http://www.juliencayla.com/JCR%20final.pdf

Sung, Sang Yeon. (2008). Globalization and the regional flow of popular music: the role of the Korean wave (Hanliu) in the construction of Taiwanese identities and Asian values. Thesis, Indiana University, Bloomington. 

Yang, Fang-chih Irene. (2008). Rap(p)ing Korean Wave: National identity in question. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 191- X. Aberdeen: Hong Kong University Press.

Blitz, Brian. (2009). Blood, birth, imagination: ethnic nationalism and South Korean popular culture. Thesis, Bowling Green State University. Accessed 7 December 2016 from https://etd.ohiolink.edu/rws_etd/document/get/bgsu1245256858/inline

Cho, Young Chul. (2009). Security, nationalism and popular culture: Screening South Korea’s uneasy identity in the early 2000s. East Asia, 26(3): 227-246.

Crieghton, Millie. (2009). Japanese surfing the Korean wave: Drama tourism, nationalism, and gender via ethnic eroticisms. Southeast Review of Asian Studies, 31: 10-38. Accessed 2 November 2011 from http://www.uky.edu/Centers/Asia/SECAAS/Seras/2009/SERAS_2009.pdf#page=36 

Shin, Hyunjoon. (2009). Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for “Asia.” Korean Studies, 33(1): 101-123. 

Kim, Pil Ho and Hyunjoon Shim. (2010). The birth of “Rok”: Cultural imperialism, nationalism and the glocalization of rock music in South Korea, 1964-1975. East Asia Cultures Critique,18(1): 199-230. 

Cho, Younghan. (2011). Desperately seeking East Asia amidst the popularity of South Korean pop culture in Asia. Cultural Studies, 25(3): 383-404. doi: 10.1080/09502386.2010.545424 

Joo, Jeongsuk. (2011). Transnationalism of Korean popular culture and the rise of “pop nationalism” in Korea. The Journal of Popular Culture, 44(3): 489-504. 

Kim, Gwangseok. (2011). Practicing nationalism: culture, technology and national identity in contemporary Korea. Thesis, University of Texas at Austin. Accessed 22 November 2011 from http://repositories.lib.utexas.edu/bitstream/handle/2152/ETD-UT-2011-08-4267/KIM-THESIS.pdf?sequence=1

Kim, Youna. (2011). Diasporic nationalism and the media. International Journal of Cultural Studies, 14(2): 133-151.

Sutton, R. Anderson. (2011). “Fusion” and questions of Korean cultural identity in music. Korean Studies, 35: 4-24. 

Sung, Sang-Yeon Loise. (2012). The role of Hallyu in the construction of East Asian regional identity in Vienna. European Journal of East Asian Studies, 11(1): 155-171.

Ho, Swee-Lin. (2012). Fuel for South Korea’s “Global Dreams Factory”: The desires of parents whose children dream of becoming K-pop stars. Korea Observer, 43(3): 471-502.

Yoo, Jae-woong, Samsup Jo, and Jaemin Jung. (2014). The effects of television viewing, cultural proximity, and ethnocentrism on country image. Social Behavior & Personality: an international journal, 42(1):89 – 96. 

Han, Gil-soo. (2015). K-pop nationalism: Celebrities and acting blackface in the Korean media. Journal of Media & Cultural Studies, 29(1): 2-16.

Happy Reading!

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Let KPK Introduce You To…Aaliyah

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

Song: “Play Me (소나타)”

Artist: Taemin

Album: Ace

Album Release Date: August 18, 2014

Press Play to Hear “Play Me (소나타)” by Taemin.

“Play Me (소나타)” echoes…

Song: “Rock the Boat”

Artist: Aaliyah

Album: Aaliyah

Album Release Date: July 7, 2001

Press Play to hear “Rock the Boat” by Aaliyah.

ELEMENTS OF NOTE:

  • Similar use of synthesizers to bring out “floating” feeling.
  • Breathy vocals
  • Artists background vocals augmented with lower melody/harmony registers. (“ 공기가 차네요 커튼을 쳐봐요 저 달이 봐요 어서 내 그림자를 입어요” (Taemin); “Baby, I love your stroke” (Aaliyah)
  • Similar tempo and syncopation
  • Songs have definitive end (no fade out).

TRADE OFFS:

  • Aaliyah’s tempo carried by Latin percussive instruments (e.g, conga drums), beats, and rhythms vs. Taemin’s R&B -based human sounds (e.g. “finger-snapping”) bass drum and beats.
  • Aaliyah’s beats filled out with hi-hats vs. Taemin’s fill-outs with guitar.
  • Aaliyah’s one-note chorus line vs. Taemin’s varied chorus

Learn more about Aaliyah.

Happy Listening!

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Now at KPK: A Digital Library!

Now at KPK: A Digital Library!

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

A Screen Capture of the Otlet's Shelf Tumblr Theme.
A Screen Capture of the Otlet’s Shelf Tumblr Theme.

Over at my Academia.edu profile, my analytics place my Hallyu Bibliography posts in my top ten. Since the bibliography posts are helpful to KPK readers, I want to further assist Hallyu scholars and those working in the Digital Humanities (DH) field. To that end, I’ve been working on a project to make even more items (books, mainly) discoverable. As a result, I’m happy to present KPK’s Digital Library, housed in Tumblr using a cool theme called Otlet’s Shelf.

Otlet’s Shelf is a theme that displays books in Tumblr, and it’s also a bookmarklet that allows me to mine Amazon.com for books and insert them into KPK’s Tumblr page. The application pulls book abstract information from Amazon and allows me to add keywords as needed. The keywords help users locate books that cover similar topics in the KPK Digital Library.  The theme displays most recent entries first – when you click the “Next” button, you are accessing older entries. By the way, the first book that had the honor of inclusion is Hallyu: Influence of Korean Popular Culture in Asia and Beyond by Do Kyun Kim.

The first KPK Digital Library Entry
The first KPK Digital Library Entry!

In accordance with KPK’s mission, the KPK Digital Library includes monographs that discuss Hallyu from all of its interdisciplinary aspects – from music and media studies to politics, sociology, and of course fandom research. Because we are also interested in the development of the DH field,  books covering DH are also included. At press time, there are 108 books in the KPK Digital Library, and more will be added as items are published.

Keep in mind that the KPK Digital Library is a discovery resource, not an access portal. Your ability to access items will depend on several factors, including your proximity to and ability to use your local public, academic, or special libraries and their services (don’t forget the glory that is Interlibrary Loan). Additionally, some items may be available electronically via databases or downloadable for use in e-readers. If you want to find out if an item is available for checkout within a certain mile radius, try out WorldCat or WorldCat Mobile (for Android and iPhone)!

To keep up with what’s being added to the KPK Digital Library, login to your Tumblr account and add us. When a new book is uploaded, you’ll see the book cover and its abstract appear in your dashboard. You can also stop by the KPK website anytime and click on the “Resources” link at the top of the page to see the latest activity. And of course, you can always just go directly to our Tumblr page and click on any book to get information.

Consider using the KPK Digital Library as a complement to the Hallyu Bibliography posts. Together, the bibliography and the library are robust tools designed to help scholars develop and expand the Korean Studies, Hallyu Studies, and DH fields. 

Please send your feedback to me – I hope you find the KPK Digital Library “pop”-sitively useful.

Happy Reading!

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만나서 반갑습니다: Let KPK Introduce You To…

Kaetrena Davis Kendrick, M.S.L.S.

University of South Carolina Lancaster

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BTS is pleased to meet you!

Korean popular music includes many genres – Jazz, Hip-Hop, Rock, Rhythm & Blues – even Ska and Bossa Nova. One of the reasons Kpop is so addictive and has continued its growth globally is because, despite language differences, the music seems so familiar to its listeners, particularly for non-Asian audiences. Fuhr (2015) writes, “K-pop producers strongly follow the formulaic production standards set by Western mainstream pop songs…, but they combine all the well-known elements in a way that audiences in the East and West equally seem to receive as refreshingly new but also familiar.” (pp. 238-239)

Not only do Korean producers strive to mix (and remix) Eastern and Western musical elements, they work closely with Western singer/songwriters and producers or purchase western-based music tracks for use by Korean artists (Note: purchasing tracks is a popular practice in the global music industry. Demo tracks, guide vocals, backing vocals are some terms you can search to learn more).

KPK members have noted that Kpop fans may not be familiar with why many songs sound familiar to them. This realization was crystallized when TVXQ released their strong R&B ballad “Before U Go,” (2011) which includes a partial guitar riff from the Isley Brother’s song “Voyage to Atlantis” (1977) – many people, instead, could only reference Chris Brown’s song “Take You Down” (2008)  – which still echoes the musical composition of the aforementioned Isley Brothers song. Moreover, recognition gaps go beyond music composition to include singing styles, choreography, and song instrumentation or arrangement. Additionally, we’ve found that such oversights are glaring in academic literature, which overwhelmingly focuses on K-pop music as a political tool or economic commodity (Lee 2008, Jang & Paik 2012, and see this bibliography).

The “Let KPK Introduce You To…” blogpost series hopes to help Kpop fans discover links between what they hear in Kpop songs (or see in Kpop promotions) and the recent history of American music and popular culture – from a particular song or a musician’s vocal runs to costuming, training, dancing, or overall presentation.  The primarily audio/visual – and brief – blog posts will open with the K-pop artist song,concept, or performance and then readers will be introduced to the “why it sounds familiar” song, concept, or performance. The entry will end with brief biographical or explanatory text of the “original” artist, sound, idea, or concept. Simple right?

Part lay ethnomusicology and part historiography, the series offers a gateway for music enthusiasts to contextualize the foundation and development of Kpop music, and for critics to move beyond discussions of cultural appropriation in K-pop and toward the more likely premise of global creative collaboration.

If you’ve ever heard or seen a Kpop song, dance, styling, or presentation  and and thought “that sounds like/looks like/feels like/reminds me of…,” this series is for you! Look forward to it.

Sources

Fuhr, Michael. Globalization and popular music in South Korea: Sounding out K-pop. New York: Routledge. (2015).

Jang, Gunjoo & Won K. Paik. Korean wave as tool for Korea’s new cultural diplomacy. Advances in Applied Sociology, 2(3): 196-202. (2012).  http://file.scirp.org/Html/22229.html (16 June 2016).

Lee, Keehyeung. Mapping out the cultural politics of the “Korean Wave” in contemporary South Korea. In C.B. Huat and K. Iwabuchi (Eds.) East Asian Pop Culture: Analyzing the Korean Wave. pp. 175 – 189. Aberdeen: Hong Kong University Press. (2008).

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