“Coup D’Etat,” the new album from the K-Pop star G-Dragon, has America heavily on its mind and in its credits.
This overview of G-Dragon focuses on the surface: what he looks like, the kinds of images in which he appears. Is Caramanica suggesting that surface is all G-Dragon has to offer? Fans of G-Dragon find him creative and give him credit for those images, concepts and forays into song-writing, but G-Dragon’s participation in his own creation is largely absent from this article.
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