KPK: Kpop Kollective is the oldest and only aca-fansite for modern Korean popular music (K-pop). Established in 2010, it has developed into a community of practice and a thematic research collection centered on K-pop. Kpop Kollective promotes the public’s understanding of contemporary Korean popular culture, creates resources and provides analysis and context on K-pop from a global perspective.
4MEN is a Korean male vocal group known for its R&B-inflected songs, along with other K-pop groups that debuted in the late 1990s, including Fly to the Sky, g.o.d and Shinhwa. The group began with four members, but its latest releases feature only two members. Despite personnel changes, the group has produced a rich discography grounded in group harmony. 4MEN positions themselves within K-Soul: “We want our fans to know that Korean singers also understand R&B and soul music well and Korean traditional ballad music and K-Soul of R&B sentiment have been popular in Korea before the start of the K-pop heat” (Nini).
Name: 4MEN, named for the number of original four members of the group
Members: Young Jae, Shin Yong Jae, Kim Won Joo, J1*, Yoon Min Soo*^, Jeong Se Young *^m Kee Jeong Ho*^ (*former member; ^original member)
Debut: February 1, 1998
Label: YWHO Golden Bridge/Sony Music; Happy Face Entertainment (YWHO merges with Happy Face Entetainment in 2011)
Fan name and origin: N/A
Love Tonight • Once While Living • I Love You • 사랑 • I Can’t’ 못해 • Everything • Confession 고백 • Knock Knock Knock • First Kiss
(Click on Playlist Menu to view videos)
First Album (1998) • 집 이렇게 천일동안 모으면 이별이 사라진다고 했다 (2002) • Andante (2006) • 선물 (Digital Single) (2007) • 멜로디 (Digital Single) (2008) • First Kiss (2008) • Voice of Autumn (2009) • Special album – The 3rd Generation (2010) • Baby Baby + 4men (2010) • 4men + E-Tribe – YOU (2010) • 4men + Sorry (2010) • 4men + Individuality (2010) • YWHO 2010 Winter Serenade (2010) • Secret Garden OST (2011) • The Artist (2011)
(Click on slideshow to view tracklists)
OTHER HAPPY FACE ENTERTAINMENT ARTISTS
Nini. “[Inside the Music] VIBE and 4MEN Talk About ‘K-Soul’ and US Tour.” hellokpop. 1 Feb 2015. Evernote..
Original Profile: Kaetrena Davis Kendrick • Revised Profile: Crystal S. Anderson
With the launch of Apple Music, K-pop fans finally got their wish to stream all their favorite artists on one platform… well, almost all of them.
Sourced through Scoop.it from: www.billboard.com
This story raises questions about music listening habits of K-pop fans, many of whom come to K-pop through the Internet.
Korea JoongAng Daily Choices in K-pop raise serious questions Korea JoongAng Daily “Koreans don’t really raise or see racial issues in K-pop videos [because they are so used to seeing Hollywood-style videos of the same nature], so [it’s…
Sourced through Scoop.it from: koreajoongangdaily.joins.com
This story takes up the issue of representation of other ethnicities in K-pop, which is significant given that K-pop is itself a hybridized musical form directed towards global audiences. At the same time, it suffers from presentism, pointing to very recent music videos to make its point. In doing so, it overlooks older music videos by artists such as Seo Taiji and Boys and Baby VOX, which features other ethnicities in their videos, as well as other visual venues where other ethnicities may be present, such as concerts.
The recent trend of K-pop idols opening up Chinese social media accounts shows the importance of the Chinese market to the success of Hallyu stars.
Sourced through Scoop.it from: www.kpopstarz.com
As K-pop continues to make inroads into China through social media, it will be interesting to see how that works in light of China’s record on media control.
Nearly everything about Nickelodeon’s new show Make It Pop sounds similar to what TV fans have already seen — including the platform (musical-comedy, just in time for Glee’s finale) and the setting (a boarding school a la Zoey 101) — but its main…
Sourced through Scoop.it from: www.billboard.com
Nick Cannon mentions that he used social media to reach out to fans who were critical of the show’s promotion as a K-pop show with little reflection of actual K-pop culture. It is still not clear if the show or its showrunners really understand the global nature of K-pop culture or the importance of Korean culture for global bans.
Way back in 1992, a dropout metalhead by the name of Seo Taiji released the first K-pop song: “Nan Arayo.” It was an ambitious mess of import aisle genres and moods, and it sold millions – making the geeky rebel South Korea’s very own Elvis,…
Sourced through Scoop.it from: www.spin.com
Mainstream music publication talks about various recent K-pop releases, but it is unclear how or why these particular acts were chose. Also, it oddly characterizes Seo Taiji as a "dropout metalhead,’ eliding his hip-hop origins.
Any K-pop fan residing in Mongolia, listen up! Because Crayon Pop, MAMAMOO, and K-Much are coming!Th
Sourced through Scoop.it from: www.allkpop.com
K-pop continues to spread globally, holding concerts in Asia outside of the usual countries like Japan.