Recent comments by Jann Wenner, founder of Rolling Stone magazine, shed light on limited perceptions of K-pop perpetuated by mainstream media. In a piece written by Maureen Dowd for The New York Times, Wenner shares tales about his raucous times at the legendary publication. He also throws out his opinions about popular music in general….
Tag: k-pop
2022 Recruitment for HWAITING! The K-pop Music Research Accelerator
Are you outside of academia yet do research on K-pop music or related topics? Are you an advanced undergrad or grad student researching K-pop music, but lack a research community? Do you want an opportunity to hone your analytic skills and publish on K-pop music? Consider applying to HWAITING! The K-pop Music Research Accelerator! HWAITING!: K-POP…
WWLT, Vol. 2, No. 1
Welcome to WWLT, or What We’re Listening To, which features mini music analyses that provide context and introduce readers to K-pop music that may be new-to-them. This issue features analyses of tracks by The Rose, Zion. T, ONEUS, Cherry Bullet and Infinite by members of HWAITING!, KPK’s K-pop music research accelerator. The Rose, “Candy (so…
WWLT, Vol 1. No. 1
Welcome to the inaugural issue of WWLT, or What We’re Listening To, which features mini music analyses that provide context and introduce readers to K-pop music that may be new-to-them. This issue features tracks from EXO, TVXQ, Jeon Somi, CL, Jonghyun X Youngbae, VIXX, Red Velvet, SEVENTEEN, SF9 and 2AM from contributors who are members…
KPK Seeks Members for Its K-pop Music Research Accelerator!
Are you outside of academia yet do research on K-pop music or related topics? Are you an advanced undergrad or grad student researching K-pop music, but lack a research community? Do you want an opportunity to hone your analytic skills and publish on K-pop music? Consider applying to HWAITING! The K-pop Music Research Accelerator! HWAITING!:…
Spotify, YouTube and the Shaping of the K-pop Listening Audience
Spotify has become a benchmark for measuring K-pop success, but it limits the growth of the K-pop listening audience. Despite changes in its algorithm, YouTube remains the place to develop and grow as a K-pop listener because of the input of other K-pop fans. Spotify is recognized for spearheading the music streaming revolution, changing the…
KPK Talks K-pop with Emily Haydel!
KPK members Crystal Anderson and Kaetrena Davis Kendrick talk with Emily Haydel on the podcast Bleav in K-pop about scholarship and the landscape of K-pop. Take a listen!
Is K-pop Fandom Becoming Less Visible and More Fragmented?
Online platforms have been a major force propelling the spread of K-pop globally, but are shifts in how they are deployed contributing to a more insular fandom? When you ask K-pop fans about their journey into K-pop, YouTube usually features prominently. Over the last few years, K-pop fans have been treated to content by companies…
Mini Data Note: Female American Fans, K-pop Girl Groups and a Critique of Empowerment
Survey responses suggest that American female fans of K-pop girl groups simultaneously critique Korean society and music industry and recognize the impact of their position as foreign fans on their perceptions of representations of empowerment in K-pop. These are findings from the U Go Girl: The K-pop Girl Group Fan Study and are based on…
What We Are Listening To: “Destiny (우린 결국 다시 만날 운명이었지),” Mamamoo
Mamamoo is a girl group well known for its vocal talent, but the members also show themselves to be musically versatile. The group performed “Destiny (우린 결국 다시 만날 운명이었지)” for its finale on the music competition show Queendom, and the track was later included on the 2019 album Reality in Black. Kpopmap notes that “It is hard…
KPK: Kpop Kollective 