An Informal Review of Sun Jung’s Korean Masculinities, Part 4, Or Who Are You Calling a Cult?

Source: http://www.imdb.com/media/rm2442313216/tt0364569

Crystal S. Anderson, PhD

Elon University

So now I’m going to tackle Sun Jung’s analysis of fan reaction to Chan-wook Park’s film, Oldboy.  Basically, Sun Jung argues that, well, I’ll let her explain it:

Chapter 4 focuses on Western cult fandom of the Korean genre film, Oldboy, and discusses how postmodern South Korean masculinitiy is reconstructed through the ambivalent desires of Western spectators based on the mixed practice of mugukjeok, and neo-Orientalism. This chapter explains how the Western desire for the Other is expressed, transformed, and redefined by consuming hybrid South Korean masculinity, as exemplified by the “savage but cool” Dae-Soo, and how this transformed desire, “with a distinctly postmodern slant,” is different from earlier Orientalist desires towards the primitive Other. . . . Hence, Western audiences of Oldboy experience hybrid “time between dog and wolf,” which refers to the time when they cannot identify whether Dae-Soo is a “cool” friend or a savage stranger. (31-2)

Continue reading “An Informal Review of Sun Jung’s Korean Masculinities, Part 4, Or Who Are You Calling a Cult?”

An Informal Review of Sun Jung’s “Korean Masculinities”: Part 1

Don’t get too excited: this book may have a very, very sexy picture of Rain on the cover, but it’s a trap. Published in 2011 by the Hong Kong University Press, Sun Jung‘s Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols has been talked about quite a lot in the academic field of Cultural Studies. People have claimed that it’s the most informative book on Hallyu out there at the moment.

Continue reading “An Informal Review of Sun Jung’s “Korean Masculinities”: Part 1″