Survey results suggest that ReVeluv, fans of the female K-pop group Red Velvet, like the group because of its versatile concepts, its music and the personalities of the members. These are preliminary findings from the U Go Girl: The K-pop Girl Group Fan Study and are based on responses from individuals who identified Red Velvet as one of their favorite groups.
Out of a sample of 270, 15% of respondents identified Red Velvet as one of their favorites, making the group the most favorite girl group of the sample. Almost all of the respondents were women and represent a range of races/ethnicities from around the world.
Like other fans of K-pop girl groups, fans of Red Velvet like the variety of concepts. One respondent noted: “They can do cute concepts and out-of-the-box concepts and do sexier concepts yet it all fits their image. They are capable of pulling off so much, and I like seeing all the different concepts.” However, several ReVeluvs specifically pointed to Red Velvet’s unique dual-concept. One responded noted: “I also love the dual concept system they have going on. The Red side is bright and has a pop sound while the Velvet side is more R&B. I feel that they have a song for any of my moods.”
Observers of K-pop girl groups often point to their appearance, but fans of Red Velvet indicated that they also liked the music of the group, particularly the diversity of their music. One responded noted: “I just love their music. They’re one of the most diverse girl groups in my opinion. They’ve tried so many genres and really nailed all of them!” Fan also revealed their familiarity with Red Velvet’s music. Some, like this respondent, pointed to B-sides: “Their title tracks alternate in this way, giving fans variety, while they also get really amazing B-sides. Each member is really vocally talented, matching the amazingly well-produced music without disappointment.” Other respondents pointed to the group’s entire discography: “I love how diverse they are and their discography is one of the best if not the best in K-pop.”
Respondents pointed to a genuine quality to the members and their interactions. One respondent noted: “The members all love each other so much, and I love when you can see the chemistry between group members. The girls also genuinely care about the fans and I love that connection.” Others, like this respondent, liked how the members seemed genuine: “I think they are also very genuine, not playing up their personalities or bond and being open about their difficulties and struggles without exploiting them for popularity.”
Crystal S. Anderson, PhD, will be presenting as part of the panel, Deconstructing Cultural Boundaries: K-pop’s Participatory Culture in the Digitally Networked Era with scholars Dal Yong Jin, Seok-Kyeong Hon and Jee Wong Lee, Ju Oak Kim and Wonjung Min at the 2019 International Communications Association Conference (#ica19) in Washington, DC on Monday, May 27, 2019, 8:00 – 9:15 a.m. in Fairchild (Washington Hilton, Terrace Level).
Her presentation, ” ‘U Go Girl’: Transcultural Fandom and K-pop Girl Groups,” focuses on female fans of K-pop girl groups. See the abstract below:
Much of the scholarship on Korean pop girl groups focuses on the perceived uniformity of the members of the groups, the appeal of the female members to men and the affinity between female fans in Korea and Asia and the members of the groups. However, with the continued global spread of K-pop comes increased transcultural fan engagement. This paper seeks to discern the appeal of K-pop girl groups for global fans. Analyzing music videos and qualitative survey data, this paper argues that K-pop girl groups emulate a range of concepts which global fans find empowering and visual aesthetics that fans find appealing. Such appeal is significant because it challenges the dominance of a white, Western standard of beauty and female celebrity. The way that “idols” invite fans to participate in engagement encourages fans to see them as more approachable as compared to Western celebrities.
Crystal S. Anderson, PhD Associate Professor of English, Longwood University
Preliminary results from an academic study on individuals who have been fans of K-pop five years or longer reveals the appeal of both new and veteran groups and a focus on vocals and choreography. 192 responses collected between September 9, 2016 and November 7, 2016 are in response to the query, “Please list your bias (i.e. favorite) K-pop groups and solo artists and briefly explain why you like them.” The entire dataset can be accessed here.
Crystal S. Anderson, PhD Associate Professor of English, Longwood University
Survey results suggest that BABYs, fans of the male K-pop group B. A.P, like the group because of its uniqueness, music and the extramusical activities of the members. These results come from the FAVORITE ARTIST: KARTIST3YR DATASET, part of the 3Year Korean Popular Music Survey. This data note is based on a small sample of 11 respondents.
Respondents point to the way that B.A.P differs from other K-pop “idol” groups. One noted that “they have a different feeling to the Kpop industry” and another stated that “they don’t just have a pretty-boy sound.” This can be seen from their debut song, “Warrior.”
Respondents also referred to the group’s musical ability. One stated, “They have a wide variety of types of songs (‘Coffee Shop’ is mellow, ‘Hurricane’ is dance and ‘Badman’ is just hard).” Another stated, “They clearly have a passion for music and the music they make, even sometimes getting involved with its creation.”
Several respondents noted the activities of the members beyond music making. One respondent noted, “They’re having a concert because of their charity works. They have the heart of helping others despite . . . their busy schedules.” Another stated, “The leader participates in helping children and the fans also participate in actions [by] UNICEF.”
Associate Professor of English, Longwood University
The ‘Essentials” series is part of my digital humanities project, KPopCulture, which curates the music, visual culture, choreography, promotions, media and fan culture of K-pop that support this global cultural production. “Essentials” items tell you about a group through playlists of key music videos, performances, choreography and promotional videos. It also offers a bibliography of articles, music reviews and videos. The first ‘Essentials’ item is, fittingly, on Shinhwa, the longest-running K-pop group with its original members. Click here and enjoy!
Associate Professor of English, Longwood University
Finally, the first fandom case study is complete on KPopCulture! Girls’ Generation (SNSD) Fandom Case Study contains an introduction to the discourse surrounding the group, which captures the difference between the way fans view the female group and the way commentators view the group:
Nevertheless, the group boasts one of the most active and well-organized global fandoms with fans who document the activities of the group as well as engage in philanthropic activities in the name of the group. This case study explores SNSD fans and their activities. SONES, or fans of SNSD, like the group for a variety of reasons, including the group’s music, appearance and individual members. Yet, there are some fans who are describe themselves as “not fans.” SONES well-organized websites provide fans with information about the group, images, video and forums for discussion. Site administrators also participate in philanthropic activities. SONEs also administer a variety of Twitter accounts, Facebook pages and Tumblrs, both in English and in other languages. SONEs can be found in a variety of countries, including the United Kingdom, France, Philippines, Thailand, Indonesia, Peru, Spain, Colombia, Italy, Poland and Venezuela. SONEs not only view videos and listen to the songs of SNSD, they perform the choreography and cover their favorite songs.
It also contains an analysis of survey data and a compilation of email interviews with fans. Read more and see downloadable and complete data sets at KPopCulture!
Often believed to appeal only to teenagers, K-pop is experiencing a trend with old school groups making successful comebacks.
Some believe that K-pop has a short shelf life. Several point to the “five-year curse,” a trend where male K-pop groups break up or disband, often in the face of mandatory military service in Korea. Others believe that K-pop is a fad that will run its course. In 2011, Ree at seoulbeats declared: “One thing people must note when discussing the popularity of K-Pop, is that to many people, whether they realize it or not, K-Pop has almost simply become a fad. Meaning that despite the fact it is at its peak of popularity, it will once again start heading on a downhill slope.”
However, successful comebacks of groups who debuted prior to 2000 challenge these notions. Tickets for Shinhwa‘s Grand Tour 2012: The Return concert sold out in February, ahead of the release of the album The Return in March. Such success occurred after a four-year hiatus by group from the music scene. Other first-generation K-pop groups, such as g.o.d and Fly To the Sky, have also announced comeback plans.
Who are the people who support groups who have been inactive for years and why do they continue to like such groups? I want to find out! If you are a fan of a group who debut before 2000, take this survey! It will ask you questions about old school K-pop groups such as H.O.T, Shinhwa, S.E.S, Fin.K.L, Fly to the Sky, g.o.d, 1TYM, Deux and others.
Some people think that male K-pop groups are all the same. However, research suggests that fans differ in their attitudes towards individual male K-pop groups. Responses collected from fans of Super Junior and BigBang reveal that they also hold different opinions on their music and group dynamic. Such responses suggest that while some do not distinguish between male K-pop groups, fans do.
Media Representations of Male K-pop Groups
Because many male K-pop groups are idol groups, they tend to be painted with the same broad, generalized brush. Sometimes, they are described as being too similar to each other. An editorial in The Korea Times, suggests that people “seem fed up with similar ‘idol’ dance groups cropping up like mushroom[s].”
Other times, they are seen as promoting the same musical style or image. Part of this is attributed to the training program Korean agencies use for idols. Solee I. Shin and Lanu Kim argue that “constant monitoring of the tastes and preferences of the consumers and factoring the successful elements back into the products. . . [make] successful products increasingly predictable and. . . homogenizes the entire domestic music scene.” Nabeela at seoulbeats echoes the concern about groups being the same by speculating about “how much of the content in K-entertainment is standardized and recycled.”
However, a comparison of the responses from fans of Super Junior and BigBang reveals that fans like the groups for different reasons. This data represents a convenience sample collected via an online survey between December 8, 2012 and May 1, 2013. Respondents were asked to explain why they considered themselves a fan of the respective groups. 80 respondents identified themselves as fans of Super Junior, and 119 respondents identified themselves as fans of BigBang. Of these 199 respondents, 95.7% were women and 4.3% were men. Participants were: Asian (42.3%), White (41.2%), Latino (8.4%) and Black (7.9%). They largely hail from the United States, Hungary, United Kingdom, Philippines and Australia. Respondents range in age: 32.6% were 16-18, 31.6% were 18-21, 12.8% were 22-25, 14.4% were 25-30 and 8.6% were 30 and over. This data was analyzed using phenomenological methods.
Both fandoms cite music as a major factor in the appeal of the groups, but Super Junior fans liked the upbeat nature of the music, while BigBang fans valued the edgy and unique nature of the group’s music.
Super Junior fans like the cheerful nature of the music. One respondent noted: “I can listen to their songs any time even if I sad or depressed” (Anderson). Another stated: “Their music always makes me smile no matter how depressed I am” (Anderson). Super Junior fans also cited the pop-oriented style that the group reflects, as well as a range of styles. One respondent wrote: “Their music has gone from happy, bubbly pop to funky dance tracks” (Anderson).
Reviews of Super Junior albums reveal that the group is generally known for pop-oriented fare that also ranges across genres. Jung Bae describes their 2012 release, Mr. Simple, as “cleanly divided into club/dance and pop ballad(s),” where singles like “Opera” are “a standout, paced by an intoxicating stutter beat and a sublime sense of kinetic energy throughout.” Emily Wu references the “Super Junior Funky Style” in her review of the album: “It contains a catchy and addicting tune and melody that is sure to grab your attention from the get-go.”
BigBang fans focused more on the unique nature of the music. Some cited the specific genre of hip-hop as a major reason for the appeal of the group. One respondent noted: “Their style of music is what I enjoy most in American music, even if I don’t listen to American music as much anymore. Hip hop and R&B were genres that I grew up on but then it started changing too much for me. But Big Bang has a style to them that makes me love the genre all over again” (Anderson). Such opinions dovetail into another theme that emerged from the responses, namely, the unique nature of the group in respect to BigBang’s music. One respondent noted: “Their music caught me when I first listened to it and it is nice to listen to whenever I want to something different then the usual Kpop” (Anderson). Another noted: “Their music is distinguishable and stands out amist all of Kpop” (Anderson). BigBang has a reputation for being more adventurous in terms of their music.
Ashleigh Gregory describes the 2011 album Alive as partaking in a range of genres: “This album combines a variety of safe, pop style songs and pairs them up with slightly more experimental electro sounding tracks that create a great mix and leaves you wanting to replay the album as soon as it’s done.” Such eclecticism makes its way into their live shows as well. Jon Caramanica writes: “The band wove an interpolation of the signature guitar crunch of Nirvana’s “Smells Like Teen Spirit” into a song. Multiple members of the group beatbox, a technique that’s hardly, if ever, used in mainstream American hip-hop, its birthplace, but is a routine part of the K-pop star arsenal.”
Both fandoms cite group dynamic as another major factor in the appeal of the groups, but Super Junior fans describe that dynamic in terms of cooperation and a close-knit bond, while BigBang fans focus on the individual members’ contribution to the group.
Despite the large number of members, Super Junior fans described the group as close-knit. Some respondents focused on how they act as one or a team. One respondent noted: “They have their own personality but still can be one” (Anderson). Another wrote: “Not typical boyband material. They have a strong bond despite being a huge group” (Anderson). Other respondents focused on the close bond between members and several used the metaphor of family. One wrote: “Watching their bond as a group really influenced me. Seeing how they trust each other. I can feel and see their brotherly love, how they care about each other” (Anderson). Another wrote: “Super Junior are a big group because they have lots of members but despite that they all get along like a family” (Anderson). Another responded: “What I really like from them is their close relationship with each other. They are truly like a family, they’re like brothers” (Anderson).
This may be related to fans watching Super Junior’s participation in extra-musical activities in the form of television and radio appearances. Members of Super Junior hosted and/or starred in the Korean variety show Strong Heart from 2009-2012 and the radio show Kiss the Radio from 2006 to the present. In these spaces, fans develop opinions about the dynamic between the members. One respondent wrote: “I understand and love that they’re an entertainment group with members doing radio shows, acting, variety shows and hosting! This has given me the chance to get to know them through many mediums and it’s reassuring to know that at least a few members are still active during their non-promotional period!” (Anderson). In addition to scripted shows, Super Junior also appears on variety shows, which are often based on improvisation and require more participation. One respondent noted: “I didn’t actually like Super Junior much at first, but I kept watching them on variety shows that I liked and the SJ members were always making me laugh so much” (Anderson).
While fans of BigBang cite group dynamic as part of the appeal of the group, they focus on the individual members within the group. Most respondents focused on the unique nature of the individual members. One wrote: “I also like how distinct the members are from each other” (Anderson). Another said: “Each member has their own talents and strengths when it comes to vocally and lyric writing and Big Bang along with YG utilizes that talent extremely well” (Anderson). Still another wrote: “Each of the members have very different but equally interesting styles from their style of singing to the dancing” (Anderson). Others cited individual members as part of their reason for liking the group. Of these responses, the largest number cited G-Dragon as their reason for liking the group. One respondent noted: “G-Dragon has also been very successful on his own drawing me into the group as a whole” (Anderson). Another noted: “G-Dragon is probably one of the reasons why I like Big Bang so much. I like the music he produces and I appreciate that a lot since not all groups produce their own music. The fact that someone from the group produces their own music is pretty awesome” (Anderson).
What Does It Mean?
Fans of Super Junior like the group because they are traditional idol group. They like the pop nature of their music. They value the camaraderie they see within the group as a result of television and radio appearances. In contrast, fans of BigBang like the group because they challenge this notion of a traditional idol group. Despite being the product of the same kind of training system that produced Super Junior, they see the group as more innovative and creative in their music. They perceive the group as a collection of individuals rather than a cohesive unit. Because of the fewer number of television appearances, their fans may not develop the same kind of sense of camaraderie among the group.
Fans of Super Junior and BigBang represent just two individual K-pop fandoms, but this comparison suggests that fans do not view male K-pop groups in the same way.
Last week, I wrote a piece, Who Can Speak For K-pop, for my public blog, High Yellow and received a huge response. As I suspected, there are a variety of fans in the United States whose voices are not being heard in the larger discussions of K-pop. In order to capture those opinions, my iFans project has added a new survey! U.S. K-pop Fan Study seeks to understand the attitudes and opinions of all K-pop fans in the United States, but especially African American, Asian American and U.S. Latino fans. In other words, it is the first academic survey that wants to understand the K-pop experience of U.S. fans of color. To take the survey, click here. Tell your friends!
If you keep with research on K-pop, you may be aware of the iFans: Mapping Kpop’s International Fandom project. The surveys that make up the qualitative studies seek to understand how the fandoms differ from one another and their relationship to the groups they support. K-pop fans know that the fandoms are unique. Because they have detailed knowledge of the groups they support, they provide a unique perspective on the appeal of their respective groups. Too often, commentators make assumptions about K-pop fans, while the iFans studies goes to the source: the fans.
As the chart above shows, fans of 2NE1 and BigBang have participated the most in the surveys, while fans of Shinhwa and Aziatix have participated the least. Other groups with high participation rates include SHINee and TVXQ, while other groups with low participation rates include Epik High and f(x).
These participation rates are interesting, because groups like Super Junior and Girls’ Generation have very active global fandoms, yet those numbers are not reflected in participation rates. Rates may not reflect all fans, just fans who are likely to take (and complete) a survey. Participation rates may be affected by the activity of the groups.