CFP: K-POP AND K-DRAMA FANDOMS

CFP: K-POP AND K-DRAMA FANDOMS

Special issue of Journal of Fandom Studies

Guest Editors: Crystal S. Anderson and Doobo Shim

This special issue responds to the well-established and global subculture of fans of Korean popular music (K-pop) and Korean television drama (K-drama). K-pop and K-drama are the products of Hallyu, a cultural movement from Korea directed towards the global stage that originated in the late 1990s.  Recent global successes of Korean artists such as Psy, Girls Generation, 2NE1 and BigBang as well as K-drama actors such as Lee Min Ho and Jang Geun Suk represent only a portion of the vibrant and diverse fandom.  This special issue seeks to examine the uniqueness of K-pop and K-drama fandoms and their contribution to global fandom scholarship.

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Am I Doing This Right?: Excavation of Korean Popular Music as Digital Humanities Project

Seo Taiji, Gaon Chart

Crystal S. Anderson, PhD

Elon University

I just finished my first digital essay, Seo Taiji: President of Culture, for my digital humanities project on the cultural history of Hallyu-era Korean popular music, 1992-2009. But as I continue to build this Omeka site and design the project, I wonder:  Is my project a digital humanities project? What am I doing? And am I doing it right?  Such questions reflect recurrent anxiety about doing digital humanities with a popular culture project and how it might be perceived in the digital humanities and Korean popular culture studies realms.

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