iFans: Mapping K-pop’s International Fandom is a digital project that examines the attitudes, practices and creative output of global K-pop fans. VIPs (as fans of BigBang are called) were given the opportunity to participate in an online interview with questions geared toward their experience as BigBang fans. Whale, a VIP, … Continue reading IFANS PROJECT UPDATE: Online Interview with BigBang Fan
One of the most common projects for K-pop fans is the anniversary fan project. It is usually the result of a call for fans to participate in a project by sending a photo or making a video, then some enterprising K-pop fans combine them together for an anniversary video Because the iFans project seeks to document and curate K-pop fan culture, it has opened a new collection: Anniversary Fan Projects. This week’s videos range from a debut anniversary project by fans of UKISS to a 12th anniversary project by international fans of BoA. Click here to see more!
If you are a regular reader of KPK, you might remember an announcement for a new site, House of Hallyu, which would feature content related to fan activity as well as house the kpop chronicles project, which collects fan narratives. The House of Hallyu site will remain available (and may transform into something else in the future), but fan content and updates to the kpop chronicles project will become part of the iFans: Mapping Kpop’s International Fandom project. This is an effort to consolidate work on fan cultures as well as expand the kinds of material collected. iFans already documents fan activity such as song and dance covers, and will now begin to document fan projects, including comeback, anniversary and tribute projects by fans.
To remind you, k-pop chronicles is project with one mission: to collect fan accounts about their favorite K-pop groups and artists. The k-pop chronicles site seeks to become the world’s only repository for fan narratives, but it needs YOU to submit your fan narratives. The project accepts written and video narratives of your attitudes and opinions about your favorite K-pop artists. It does not accept fan fiction. Because of ethical concerns, the project only accepts written and video narratives from individuals 16 and over.
Creating Your Fan Narrative
In order to submit your fan narrative, you first have to create it. Submissions should be in English (or subtitled in English for video submissions), and should not include profanity, mature or inappropriate content, or bashing of other K-pop artists or fandoms (this is for a general audience). Fans may submit more than one narrative, but each submission should focus on only one artist/group. You may submit a written or video submission:
Written submissions: Written submissions should be 500-750 words in length and created in Word (or with a similar word processing software, including Google Docs).
Video submissions: Video submissions should be no longer than 3 minutes.
For each submission, fans should identify ONE group or solo artist and talk about the following:
- How did you become a fan of the chosen group/artist?
- What is your favorite song OR video and why?
- How do you show your support for your favorite group/ artist? Do you participate in activities like: comeback projects, Twitter trending, concerts, writing on a blog/running a Tumblr, fanmade video, album reviews, cover dance teams, YouTube channels, lyrics translation/interpretation, etc)?
- What are one or two of your most important memories related to your chosen group/artist? This can be a live performance, performance or appearance on a music show, variety show, fan meet, interview, etc.
You will be able to add the URL of an image of your chosen artist/group to be used with your account at the submission site.
Submitting Your Narrative
After you complete your narrative, you can submit it two ways:
Written submissions: Visit the submission site for written narratives, where you will complete the consent form, copy and paste your narrative and submit the URL for the image of your favorite group.
Video Submissions: Visit the submission site for video narratives, where you will complete the consent form, submit the URL for the image of your favorite group and upload your video.
Submit NOW!!! kpop chronicles is the brainchild of Crystal S. Anderson. Send any questions to email@example.com.
The iFans project rolls on with more cover dance! The second section of the exhibit, Dance Like Everybody’s Watching: K-pop Cover Dances, features Girls’ Generation‘s “Into the New World Remix.” Click HERE to view K-pop fans from around the world performing one of the most complicated dance routines by a girl group.
Crystal S. Anderson, PhD
Anybody can ask some questions about your favorite K-pop group but scholarship involves a lot more. Enter the glamorous(?) world of K-pop fan research!
What is research?
That’s a good question. Most K-pop fans have taken polls asking for their opinion, but these are usually for market research or for fun. Academic research is different. The U.S. Department of Health and Human Services defines research as “a systematic investigation, including research development, testing and evaluation, designed to develop or contribute to generalizable knowledge.” There is a method to the madness, so the first thing that research involves is knowing the method. Some people work with quantitative methods (i.e. statistics), but I use qualitative methods (examining text in the form of responses and interviews) to explain what K-pop fans think about K-pop. In either case, you need to know what you are doing, and while a degree isn’t required, it helps. But long before the questions go up, you need a healthy dose of curiosity.
The Bright Idea
Some people look at K-pop and think nothing of it. However, I, as a researcher, wonder: Why do fans like K-pop? How do they support their groups? What do they get out of being a fan? As K-pop becomes more popular, news media and online commentators talk more and more about it. They find the whole phenomenon strange and make assumptions. For example, outlets like CNN talk about the groups and fans that support them as if they are all the same.
As a K-pop fan, though, I know those observations do not match what I see among K-pop fans. From my experience, I know that the groups are different. SHINee and Shinhwa may both be male groups, but they are different. I know the fandoms are different. Shawols are not like Shinhwa Changjos.
In addition, these outlets never talk about fan culture. I know that fans of SS501 know why Park Jung Min and Kim Hyung Joon are called Tom and Jerry. Shinhwa fans know who Mama Bird and Baby Bird are in the group. SHinee fans know what Onew Sangtae is. K-pop fandoms are wonderfully complicated so I wanted to explore how the fandoms are different and how they interact with one another, since they are a central part of the global spread of fandom.
But first, I needed to find out what had already been written on K-pop fans.
What Others Say
Research differs from opinion polls in that part of its purpose is to contribute to new knowledge. There is no need to do a research project if it’s already been done. You don’t want to look like a boob saying something that’s already been said. I found that there were a few studies on K-pop fans, but they focused on K-pop fans in East Asian countries, and they didn’t address the unique nature of individual fandoms (see Sung Jung, Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-pop Idols). For example, Shu-han Chiou did research for a master’s thesis which identified fans as “devotee, insider, intermediate of devotee-insider, and low-consumption-and-self-centered.” No K-pop fan talks about themselves that way. You are a A+ (fan of MBLAQ) or a SONE (fan of SNSD). People also form online fan communities that support multiple groups, like DongBangBLAQ (fans of TVXQ and MBLAQ), f(snsd) (fans of f(x) and SNSD), TripleKISS (fans of SS501 and UKISS) and SuperGeneration (fans of Super Junior and SNSD).
Once I got the lay of the scholarly land, it was time to develop the study!
Just Do It!
The iFans project was born! I developed a series of surveys where fans could talk about their perspectives about being a fan and promoted them on the KPK site as well as social media such as Twitter and Facebook.
Then, I waited. In order to study the data, you have to collect the data and you need to collect enough data to form valid conclusions. You wait for people to share the survey with their friends (hint, hint). In this way, part of the research is beyond your control.
You also may have to tweak your survey instrument. Sometimes a link doesn’t work. Sometimes you see you can get information in a more effective way, like providing text boxes for answers rather than having respondents list answers in just one big text box.
At some point, you get enough data to work with. Analyzing the data is the most unglamorous part of research, but it’s also the most exciting. It means reading each and every response and finding patterns in what people say. For example, the iFans general Case Studies survey had over 300 respondents, but generated hundreds of statements to analyze.
By systematically analyzing the data, I get to see what K-pop fans think about themselves, other fandoms and the artists themselves. I can now say things based on evidence about K-pop fans. As a result of my research I know, for example, that no matter the fandom, fans are fans of groups because of the music. I know that fans of SS501 like the group because of the brotherhood they show, and that fans of SNSD like the group because they are cute and dorky.
So, this is why it takes so long! If you’ve taken one of the longer surveys, you’re probably wondering where your answers are. Some of them make up the infographics you’ve been seeing on the site. Other responses are in the research reports. Still others will be the basis of articles and chapters for academic journals and books. In all cases, analyzing and writing up the reports takes time because of the large amount of response involved.
So, I’ve created the SMS: Saturday Mini Survey. This two-question survey is based on current events in K-pop so that fans can get research on K-pop a little bit faster. Be on the lookout for it!
“Code of Federal Regulations.” U.S. Department of Health and Human Services. http://www.hhs.gov/ohrp/humansubjects/guidance/45cfr46.html
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
If you keep with research on K-pop, you may be aware of the iFans: Mapping Kpop’s International Fandom project. The surveys that make up the qualitative studies seek to understand how the fandoms differ from one another and their relationship to the groups they support. K-pop fans know that the fandoms are unique. Because they have detailed knowledge of the groups they support, they provide a unique perspective on the appeal of their respective groups. Too often, commentators make assumptions about K-pop fans, while the iFans studies goes to the source: the fans.
As the chart above shows, fans of 2NE1 and BigBang have participated the most in the surveys, while fans of Shinhwa and Aziatix have participated the least. Other groups with high participation rates include SHINee and TVXQ, while other groups with low participation rates include Epik High and f(x).
These participation rates are interesting, because groups like Super Junior and Girls’ Generation have very active global fandoms, yet those numbers are not reflected in participation rates. Rates may not reflect all fans, just fans who are likely to take (and complete) a survey. Participation rates may be affected by the activity of the groups.
The iFans Case Studies survey is still active, and now, individuals can take the survey for multiple or individual groups.
Now that a good deal of data has been collected, look for new research reports on what K-pop fans say about their favorite groups!
IFANS: Mapping K-pop’s International Fandom is a scholarly research project that examines global fan attitudes and activities through surveys, collection of information on online communities and analysis of websites. Crystal S. Anderson, PhD (Elon University) is the Principal Investigator of the studies and Curator of the iFans project site.
Crystal S. Anderson, PhD
While collaboration is a huge part of digital humanities, is it the only way to do DH? If you are working on a digital humanities project by yourself, does it count as DH?