As their 2014 comeback shows, Fly to the Sky (FTTS) remains a potent force in K-pop, even after a five-year hiatus. However, even before the rumors of a comeback, the group was ever-present in the minds of fans, who recalled Fly to the Sky’s emotional … Continue reading Fan Commentary: Nostalgia and Fly to the Sky
Often believed to appeal only to teenagers, K-pop is experiencing a trend with old school groups making successful comebacks.
Some believe that K-pop has a short shelf life. Several point to the “five-year curse,” a trend where male K-pop groups break up or disband, often in the face of mandatory military service in Korea. Others believe that K-pop is a fad that will run its course. In 2011, Ree at seoulbeats declared: “One thing people must note when discussing the popularity of K-Pop, is that to many people, whether they realize it or not, K-Pop has almost simply become a fad. Meaning that despite the fact it is at its peak of popularity, it will once again start heading on a downhill slope.”
However, successful comebacks of groups who debuted prior to 2000 challenge these notions. Tickets for Shinhwa‘s Grand Tour 2012: The Return concert sold out in February, ahead of the release of the album The Return in March. Such success occurred after a four-year hiatus by group from the music scene. Other first-generation K-pop groups, such as g.o.d and Fly To the Sky, have also announced comeback plans.
Who are the people who support groups who have been inactive for years and why do they continue to like such groups? I want to find out! If you are a fan of a group who debut before 2000, take this survey! It will ask you questions about old school K-pop groups such as H.O.T, Shinhwa, S.E.S, Fin.K.L, Fly to the Sky, g.o.d, 1TYM, Deux and others.
Ree. “The K-pop Fad: When Will It End?” seoulbeats. 22 Nov 2011. Web. 25 May 2014.
Hybrid Hallyu: The American Soul Tradition In K-pop
2013 Popular Culture Association/American Culture Association (PCA/ACA)
Washington, DC • March 27-30, 2012
Crystal S. Anderson, Ph.D. • Elon University
Hallyu (Korean wave), a Korean cultural movement directed towards global audiences, represents hybrid and transnational sensibilities. Ever since the debut of Seo Taiji and the Boys in 1992, Korean popular music (K-pop) has been influenced by American soul and R&B. This paper examines the soul tradition in contemporary K-pop by interrogating the adoption and adaptation of the genre by several K-pop groups.