SS501 debuted in 2005 under DSP Media, the same year as SM Entertainment’s mega-group, Super Junior. The male group, made up Park Jung Min, Kim Hyung Joon, Kim Hyun Joong, Heo Young Saeng and Kim Kyu Jong, displays a range of pop music styles marked with complex Kpop dance moves. The members chose SS501 as their name as an expression of their unity: Super Star Five United As One. . . . Click here to continue reading on KPOPIANA.
IFANS: Mapping K-pop’s International Fandom is a scholarly research project that examines global fan attitudes and activities through surveys, collection of information on online communities and analysis of websites. Crystal S. Anderson, PhD (Elon University) is the Principal Investigator of the studies and Curator of the iFans project site.
As you know, KPK is dedicated to collecting information about Hallyu-era K-pop. To that end, we are in the process of creating enhanced profiles of Kpop artists and groups, with even more information!
KPOPIANA is a collaborative digital humanities project that aims to collect and organize information about Korean popular music of the Hallyu era (1992-present). It is built on the Omeka platform, which” is web-publishing platform that allows anyone with an account to create or collaborate on a website to display collections and build digital exhibitions.” This allows us to present information in a more interactive kind of way.
Members of KPK are in the process of migrating profiles from WordPress to Omeka, as well as creating new profiles in Omeka. Check out some of your favorite profiles:
AND, one new profile:
Don’t worry! You will always be able to find links for old and new profiles here on the KPK blog, or you can navigate straight to KPOPIANA as we migrate more profiles, so you never have to worry about where to find your K-pop info! We’ll be rolling out new enhanced profiles over the next few months, so stay tuned!
Crystal S. Anderson, PhD
Kpop is subject to a lot of criticism. A LOT. The most repeated charge against Kpop is that it is manufactured. But is that really true? Usually when critics level this charge, they make sweeping generalizations about the whole landscape of pop. In doing so, they perpetuate stereotypes about the lack of originality in Asian popular culture.