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KPK 2.0: The Next Generation of K-pop Profiles

As you know, KPK is dedicated to collecting information about Hallyu-era K-pop. To that end, we are in the process of creating enhanced profiles of Kpop artists and groups, with even more information!

KPOPIANA is a collaborative digital humanities project that aims to collect and organize information about Korean popular music of the Hallyu era (1992-present).  It is built on the Omeka platform, which” is web-publishing platform that allows anyone with an account to create or collaborate on a website to display collections and build digital exhibitions.”  This allows us to present information in a more interactive kind of way.

Members of KPK are in the process of migrating profiles from WordPress to Omeka, as well as creating new profiles in Omeka.  Check out some of your favorite profiles:

2NE1: Music for Anyone

2PM: They’re Your Men

B2UTY and the BEAST

Boyfriend: Can They Be Yours?

CN BLUE: Code Name BLUE

Epik High: Epic Music

f(x): The Perfect Formula

SHINee: It’s Another World

SS501: Five Men United As One

AND, one new profile:

Fin.K.L

Don’t worry! You will always be able to find links for old and new profiles here on the KPK blog, or you can navigate straight to KPOPIANA as we migrate more profiles, so you never have to worry about where to find your K-pop info!  We’ll be rolling out new enhanced profiles over the next few months, so stay tuned!

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About DrCeeFu

K-pop Prof. Wuxia Woman. Queen of Afro-Asia. Post Soul Princess. CeeFu is Crystal S. Anderson (PhD), a public intellectual who writes on Asian popular culture. When she is not at her day job, she writes about Asian popular culture. On her blog, High Yellow, she publishes pieces on K-pop, K-drama, wuxia series and Asian film. You can view her portfolio at Digital Writing by CeeFu. She also makes some of her scholarly work on Korean popular culture available to the public though projects like iFans: Mapping K-pop's International Fandom (a series of surveys on global fandom and a digital project that curates material produced by global fans), Hallyu Harmony: A Cultural History of Kpop (a digital project that traces connections among artists and groups across genres, generations and geographies through visuals, music and choreography), House of Hallyu (a site that features fan activity) and kpop chronicles (a project that archives fan narratives). She is also director of KPK: Kpop Kollective, where scholars and select members of the public publish musings about K-pop and digital humanities and collaboratively collect and organize digital material. She also manages KPOPIANA, a collaborative and interactive database about groups and artists of Hallyu-era K-pop. As an associate professor at Elon University, she conducts research in comparative ethnic studies. In addition to her recently published the book, Beyond the Chinese Connection: Contemporary Afro-Asian Cultural Production (University of Mississippi Press, 2013), she has several book articles forthcoming on masculinity in K-pop and the impact of rhythm and blues on K-pop. She teaches courses in Asian literature, American literature, American Studies and African American literature.

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